Summary

Portrait of Gordon Stables Gordon Stables Kenneth McAlpine: A Tale of Mountain…

Kenneth and Archie still seated in the verandah of the Spaniard’s cottage. The light from the casement window is streaming outwards through the creepers and climbing plants all around them; the beautiful bell-like flowers, down-drooping, touch their very faces. But all the colour up there in the verandah’s roof does not belong to these flowers. No, for birds are sheltering their bright wings from the night dews; that rich orange spot in the corner is a bird, so is that patch of crimson and steel, and yonder one of snow-white and blue.
Source: Gutenberg

Portrait of Gordon Stables Gordon Stables Kenneth McAlpine: A Tale of Mountain…

But she stood it well, and to see her now, with her long black lines, her tapering spars, and snow-white decks, you could not believe that but a fortnight before she had hardly a morsel of bulwark left, that, in fact, the bulwarks were more like sheep hurdles than anything shipshape.
The Doldrums! There isn’t a breath of wind; the surface of the great rolling waves is as smooth as polished steel, and much about the same colour. The sun is beating straight down from a blue but cruelly hot sky. The pitch is soft in the deck seams; the men in the stoke-hole are to be pitied.
Source: Gutenberg

Portrait of Gordon Stables Gordon Stables Kenneth McAlpine: A Tale of Mountain…

Sunset on the sea. So close to the ocean is the old castle built that, looking from the window which almost overhangs it, nothing else can be seen but the golden-tipped waves, golden-tipped even to the far-off horizon, and breaking with pleasing murmur on the beach beneath. The mountains that rise inland from the castle are either wholly green, or patched with purple heather. In a room overlooking the sea, in high-backed cushioned chair, sits a lady,—but little past the prime of life, perhaps, though her hair is like the snow.
Source: Gutenberg

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