Gottfried Keller

Gottfried Keller

Summary

Portrait of Gottfried Keller Gottfried Keller,  Seven Legends

“ But when that night was half run, Eugenia rose from her couch, took a heavy hammer, and went softly out of the convent to find the statue and break it in pieces. She easily found her way to the quarter of the city, all glistening with marble, where the temples and public buildings were situated, and where she had passed her youth. Not a soul stirred in the silent world of marble. Just as the female monk ascended the steps to the temple, the moon rose above the shadows of the city, and cast her beams as bright as day among the pillars of the fore-court. ”
Source: Gutenberg

Portrait of Gottfried Keller Gottfried Keller,  Seven Legends

“ At the same time, she built herself a cell at the bottom of her parents' garden, where the deep shade of the trees lingered, made a scant bed of moss, and from that day onwards separated herself from all her kindred, and took up her abode there as a penitent and saint. She spent all her time in prayer, and often disciplined herself with a scourge. But her severest penance consisted in holding her limbs stiff and immovable; for whenever she heard a sound, the twitter of a bird, or the rustling of the leaves in the wind, her feet twitched, as much as to tell her they must dance. ”
Source: Gutenberg

Portrait of Gottfried Keller Gottfried Keller,  Seven Legends

“ But the image left him in the most cruel uncertainty, and did neither one thing nor the other; it neither nodded nor shook its head. Only when the red gleam of some flying morning clouds passed over the marble, its face seemed to smile most propitiously; whether it was that the ancient goddess, as guardian deity of connubial love and chastity, was giving a sign, or that the new one could not refrain from smiling at her adorer's troubles; for both were women at heart, and such are always tickled when a love-affair is in train. But Vitalis knew nothing of all this. ”
Source: Gutenberg

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