Summary

Portrait of Grace S. Richmond Grace S. Richmond On Christmas Day In The Evening

As each stood momentarily at the opening of his pew, neither quite determined whether to turn his face pulpit-ward or door-ward, Samuel Burnett, coming eagerly up to them from the door-ward side, laid a friendly hand on either black-clad arm. Whether Sam was inspired by Heaven, or only by his own strong common-sense and knowledge of men, will never be known. But he had been a popular man in North Estabrook, ever since he had first begun to come there to see Nancy Fernald, and both Tomlinson and Fraser heartily liked and respected him—a fact he understood and was counting on now.
Source: Gutenberg

Portrait of Grace S. Richmond Grace S. Richmond On Christmas Day In The Evening

Miss Jane went on, with asperity, “they’re going to fix up the fuss in that church, with their greens and their city minister preaching brotherly love. I can tell him he’ll have to preach a pretty powerful sermon to reach old George Tomlinson and Asa Fraser, and make ’em notice each other as they pass by. And when I see Maria Hill coming toward me with a smile on her face and her hand out I’ll know something’s happened.”
Source: Gutenberg

Portrait of Grace S. Richmond Grace S. Richmond On Christmas Day In The Evening

He began to chuckle. “I can see Sam now, towing those two old fellows up to the pulpit. I don’t believe they’d ever have got there without him. There certainly is a time when a man’s hand on your arm makes it a good deal easier to go where you know you ought to go.”
“It would have taken more than my hand to tow them away,” said Sam Burnett, “after they found out how it felt to be friends again. Nobody could come between them now, with an axe.”
“The music helped,” cried Nan, “the music helped more than anything, except the sermon.
Source: Gutenberg

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