Grace S. Richmond

Biographical details

Portrait of Grace S. Richmond Grace S. Richmond The Second Violin

But I had to take it, and now--Ah, come on, Miss Charlotte! Let's fly!"
Away they went, faster and faster--long, swinging strokes in perfect unison; two accomplished skaters with one object in view; working off healthy young spirits at a tension. They did not talk; they saved their breath; they went like the wind itself.
At the farthest extremity of the smooth ice, which ended at a little frost-bound waterfall, they came to a stop. Churchill looked down at a face like a rose, black eyes that were all alight, and lips that smiled with the fresh happiness of the fine sport.
Source: Gutenberg

Portrait of Grace S. Richmond Grace S. Richmond Red and Black

But somehow, as he had noted one face after the other—the impassive faces of the few men and women, the surlily stoic one of the old grandmother, the tear-wet one of the wretched young sister in her shabby short frock—and then had glanced just once at the set jaw of R. P. Burns and the desperate pity in the dark eyes of Jane Ray, he had felt impelled to change his plan.
Red, listening, now heard Black pray, as a man prays whose heart is very full, but whose mind and lips can do his bidding under stress.
Source: Gutenberg

Portrait of Grace S. Richmond Grace S. Richmond The Brown Study

Near her his sister Sue's dainty elegance of person showed like a flower against the big figure of Doctor Brainard, who sat at her elbow. Brainard himself, with his splendid head and erect carriage, was always an imposing personage; he had never seemed more so than now, with the face of Patrick Kelcey, Andrew Murdison, and James Benson, the little watchmaker, in the background of Brown's mind with which to contrast it. Beyond Mrs. Brainard lounged Hugh Breckenridge—as nearly as one could be said to lounge—in a plain, cane-seated chair without arms.
Source: Gutenberg

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