Grace S. Richmond

Grace S. Richmond

Summary

Portrait of Grace S. Richmond Grace S. Richmond,  The Brown Study

“ Near her his sister Sue's dainty elegance of person showed like a flower against the big figure of Doctor Brainard, who sat at her elbow. Brainard himself, with his splendid head and erect carriage, was always an imposing personage; he had never seemed more so than now, with the face of Patrick Kelcey, Andrew Murdison, and James Benson, the little watchmaker, in the background of Brown's mind with which to contrast it. Beyond Mrs. Brainard lounged Hugh Breckenridge—as nearly as one could be said to lounge—in a plain, cane-seated chair without arms. ”
Source: Gutenberg

Portrait of Grace S. Richmond Grace S. Richmond,  The Brown Study

“ She was just two years old, was Norah, a mere slip of an Irish baby, with a tangled mop of dark curls above eyes of deep blue set in bewildering lashes, and with a mouth like a freshly budded rose.
Brown withdrew the shawl and knelt on the floor before her. Bim, who had welcomed the two with eagerness, sat down beside them.
"You see, Bim," explained his master, "I had to have something human to love for an hour or two. You're pretty nearly human, I know, but not quite. Norah is human—she's flesh-and-blood. A fellow gets starved for the touch of flesh-and-blood sometimes, Bim."
”
Source: Gutenberg

Portrait of Grace S. Richmond Grace S. Richmond,  The Brown Study

“ They were not men alone who combined against him with every pressure of argument; there were women present who used upon him every art of persuasion. Not that of speech alone, but that subtler witchery of look and smile with which such women well know how to make their soft blows tell more surely than harder ones from other hands. Among these, all of whom were women of charm and distinction after one fashion or another, was one who alone, though she seemed to be making no direct attack, was waging the heaviest war of all against Donald Brown's determination. ”
Source: Gutenberg

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