Guglielmo Ferrero

Guglielmo Ferrero

Summary

Portrait of Guglielmo Ferrero Guglielmo Ferrero The Women of the Caesars — Chapter 2 (1911)

Livia, then, about 18 B.C. personified in the eyes of the Romans the perfect type of aristocratic great lady created by long tradition. Having been safely preserved by good fortune through the long civil wars, this model was now set back again upon a fitting pedestal in the most powerful and richest family of the empire. She was the living example of all the virtues which the Romans most cherished, a beloved wife and a heeded counselor to the head of the state, honored with that veneration which power, virtue, nobility of birth, and the dignified beauty of face and figure drew from every one
Source: Wikisource

Portrait of Guglielmo Ferrero Guglielmo Ferrero The Women of the Caesars — Chapter 2 (1911)

For the duty of the woman was to follow faithfully and submissively the ambitions of her lord and not to impart to him her own ambitions or make him her tool. In contrast to Livia, who was so docile and placid in her respect for the older traditions of the aristocracy, so firm and strong in her observance of the duties, not infrequently grievous and difficult, which this tradition imposed, Julia represented the woman of that new generation which had grown up in the times of peace—a type more rebellious against tradition, less resigned to the serious duties and difficult renunciations of rank
Source: Wikisource

Portrait of Guglielmo Ferrero Guglielmo Ferrero The Women of the Caesars — Chapter 2 (1911)

It is not to be wondered at, therefore, that a young woman endowed with so fiery and ambitious a nature did not become in the hands of Augustus as docile a political instrument as Livia. Julia wished to live for herself and for her pleasure, not for the political greatness of her father; and indeed, Augustus, who had a fine knowledge of men, was so impressed by this first unhappy experiment that when Marcellus, still a very young man, died in 23 B.C., he hesitated a long time before remarrying the youthful widow.
Source: Wikisource

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