Agrippa

Definition and stakes

Portrait of H. Rider Haggard H. Rider Haggard,  Pearl-Maiden: A Tale of the Fall of Jerusalem

“ Then Anna limped forward to join her company, who once more were driven through the little gate in the wall of the arena.
For a second time, with an effort, Agrippa lifted himself from his throne. As he rose the first level rays of sunrise struck full upon him. He was a tall and noble-looking man, and his dress was glorious. To the thousands who gazed upon him from the shadow, set in that point of burning light he seemed to be clothed in a garment of glittering silver. Silver was his crown, silver his vest, silver the wide robe that flowed from his shoulders to the ground.
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Source: Gutenberg

Portrait of Thomas De Quincey Thomas De Quincey,  Narrative and Miscellaneous Papers

“ Agrippa, gratified by this success of his new apparel, and by this flattery, not unusual in the case of kings, had not the firmness (though a Jew, and conscious of the wickedness, greater in himself than in the heathen crowd,) to reject the blasphemous homage. Voices of adoration continued to ascend; when suddenly, looking upward to the vast awnings prepared for screening the audience from the noonday heats, the king perceived the same ominous bird which he had seen at Rome in the day of his affliction, seated quietly, and looking down upon himself. ”
Source: Gutenberg

Portrait of Sabine Baring-Gould Sabine Baring-Gould,  In Troubadour-Land — Chapter XV: Nimes (1891)

“ But other remnants of Agrippa abide. The Pantheon of Rome, and the Pont du Gard near Nimes, aye—and the baths he made for the washerwomen in the water he led into this town, that they might not sully the sacred spring that welled up before the temple of the Nymphs.
Agrippa in his various offices and governorships accumulated great wealth, but he was not a grasping man, nor one who spent his wealth upon himself. Wherever he was, he expended his fortune on improving and embellishing the cities under his sway.
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Source: Wikisource

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