Gustave Flaubert

Gustave Flaubert

Summary

Portrait of Gustave Flaubert Gustave Flaubert,  Madame Bovary — Part II/Chapter V (1886)

“ She was seized with the temptation to flee somewhere with Leon to try a new life; but at once a vague chasm full of darkness opened within her soul.
"Besides, he no longer loves me," she thought. "What is to become of me? What help is to be hoped for, what consolation, what solace?"
She was left broken, breathless, inert, sobbing in a low voice, with flowing tears.
"Why don't you tell master?" the servant asked her when she came in during these crises.
"It is the nerves," said Emma. "Do not speak to him of it; it would worry him."
”
Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert,  Madame Bovary — Part II/Chapter V (1886)

“ The chemist's wife seemed happy to her to sleep under the same roof, and her thoughts constantly centered upon this house, like the "Lion d'Or" pigeons, who came there to dip their red feet and white wings in its gutters. But the more Emma recognised her love, the more she crushed it down, that it might not be evident, that she might make it less. She would have liked Leon to guess it, and she imagined chances, catastrophes that should facilitate this. ”
Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert,  Madame Bovary — Part II/Chapter V (1886)

“ Then, with both hands on the table, his neck stretched out, his figure bent forward, open-mouthed, he watched Emma's look, who was walking up and down undecided amid these goods. From time to time, as if to remove some dust, he filliped with his nail the silk of the scarves spread out at full length, and they rustled with a little noise, making in the green twilight the gold spangles of their tissue scintillate like little stars.
"How much are they?"
"A mere nothing," he replied, "a mere nothing. But there's no hurry; whenever it's convenient. We are not Jews."
”
Source: Wikisource

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