Guy Wetmore Carryl

Guy Wetmore Carryl

Summary

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl The Transgression of Andrew Vane… (1904)

Yet does a man ever forget that woman, through his intimacy with whom these perceptions were first born, like golden threads newly discovered in the warp and woof of some familiar fabric? And that woman was Mirabelle Tremonceau.
So it was this — all this— Paris, and her luxury, charm, and infinite, bewildering appeal — with which he had merely toyed, because, at the back of his appreciation, lay ever the thought of what Margery Palffy meant to him, and what he had come to ask of her!
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl The Transgression of Andrew Vane… (1904)

The goddess of luxury, in whose ears their prayers were poured, and at whose feet their gold was piled, could do no more. They had climbed the capstone of her pyramid, her sun had touched its zenith, and her last word was said!
So, as Andrew considered his present state, he was aware of the force of Radwalader’s remark that in Paris a man had something for which, instead of merely something on which, to live. Life took on a new aspect. In Boston it had been wholesome, monotonous, gray, silver, and brown: in Paris it was heady, infinitely varied, gold, purple, and rose-pink.
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl The Transgression of Andrew Vane… (1904)

He realized for the first time that, as a matter of fact, there had never been in his mind the shadow of a doubt that the way lay clear before him, that the attainment of his wishes had been, in his calculations, no more than a matter of time. He had relied upon Margery’s constancy like a mariner upon that of the North Star, and it was as if that luminary had suddenly flung away from him into some new and wholly unfamiliar constellation. The man who offers his hand in friendship and is stabbed in reply is not more aghast than was he.
Source: Wikisource

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