Summary

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Zut and Other Parisians — Little Tapin (1903)

What a thing it is to be a soldier of France! And not even that, but a drummer, a drummer who is called Little Tapin because he is the smallest and weakest in the corps. To be taken from home, from the country he loves, from Brittany, and made to serve among men who despise him, who laugh at him, who avoid him in the hours of leave, because he is not bon camarade. To wear a uniform that has been already worn. To sleep in a dormitory where there are bêtes funestes. To have no friends. To know that he is not to see Plougastel, and the sweetheart, and the Little Mother for three years.
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Zut and Other Parisians — Little Tapin (1903)

From the doorway of his mother’s cottage, standing, primly white, in the midst of great rocks and strawberry fields, with its thatched roof drawn down, like a hood, about its ears, as if in protection against the western gales, he could look out across the broad harbor of Brest to the Goulet, the gateway to that great Atlantic whose mighty voice came to his ears in stormy weather, muttering against the barrier of the shore.
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Zut and Other Parisians — Little Tapin (1903)

What cramped and crushed his kindly little heart, what clouded his queer, quizzical eyes, was nothing less than Paris, beautiful, careless Paris, that laughed, and danced, and sang about him, and had never a thought for Little Tapin, with his funny, freckled face, and his ill-fitting uniform of red and blue, and his coarse boots, and his ineradicable Breton stare.
Source: Wikisource

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