Hans Christian Andersen

Hans Christian Andersen

Summary

Portrait of Hans Christian Andersen Hans Christian Andersen,  The Gate Key (1872)

“ Lotte-Lene tied the mourning crape around the Councilor's hat. She was living in the house again, having long since returned without victory and luck in her career. Yet that still might come; Lotte-Lene had a future before her; the key had said so, and the Councilor had said so.
She went up to him. They talked about the departed and they wept, for Lotte-Lene was tenderhearted; but when they talked about the art, Lotte-Lene felt strong. "Life in the theater is charming," she said, "but there is so much nonsense and envy! I would rather go my own way. Myself first, then art!"
”
Source: Wikisource

Portrait of Hans Christian Andersen Hans Christian Andersen,  The Gate Key (1872)

“ The Pharmacist had a good head, a critical mind; he had, as mere schoolboy, sent in critical articles on books and the theater, but without his signature, which is always important. He was what one calls a bel esprit, but he by no means believed in spirits, and, least of all, key spirits.
"Yes, I believe, I believe," he said, "blessed Mr. Councilor, I believe in gate keys and all key spirits as firmly as I believe in that new science which is beginning to become known the table dance and the spirits in old and new furniture. Have you heard about that? I have!
”
Source: Wikisource

Portrait of Hans Christian Andersen Hans Christian Andersen,  The Gate Key (1872)

“ And so they went to Frederiksberg, heard the music, saw the royal barges with their waving banners, saw the old King and the white swans. After drinking some very good tea, they hurried away; yet they did not arrive at the theater on time.
The rope-dance act was finished, the dance on stilts was finished, and the pantomime had started; as always, they were too late, and that was the Councilor's fault; every moment on the road, he had stopped to speak to an acquaintance.
”
Source: Wikisource

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