Summary

Portrait of Harold Lamb Harold Lamb The Witch of Aleppo — I. In Barracks (1924)

Have you boots, a pair to each man? Are they whole?”
To every question the moody Togrukh nodded, puffing at an empty pipe, his handling of the messenger suspended for the moment.
“All is as it should be, Colonel Ayub,” he muttered. “The forehead to you, colonel. We did not know you were here.”
“That is evident,” grinned Ayub.
He had a good-natured, muscular face. His black eyes, set far apart, scanned the assembly without anger. The warriors surveyed him with equal interest, dwelling upon the mighty barrel of his chest, and the two-foot handle of the broadsword strapped to his back.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The Witch of Aleppo — I. In Barracks (1924)

In the corners lay men nursing wounds, the evil aroma of short clay pipes filled with Turkish tobacco mingling with the smoke of damp wood and half-dried horse-dung. They were bearded and dark-skinned. Several bore the purple scars of recent sword-cuts on cheek and forearm—big-boned fellows, taller than the usual run of Cossacks. The orderly noticed that no gold or silver lay on the gaming boards, and that only the wounded were smoking. Tobacco was in scant supply here, as elsewhere in the Cossacks’ camp.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The Witch of Aleppo — I. In Barracks (1924)

Then, followed by the loud good wishes of the sick and disabled, the Don warriors tramped out, some to go for arquebuses, some to stack lances in the stables and rub down the shaggy ponies, but all with an eye to where, in the center of the muster ground, the dark figures of the patrols off duty were gathered around certain great kegs standing in the snow close to the red glow of the bonfire.
Source: Wikisource

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