Summary

Portrait of Harold Lamb Harold Lamb The Witch of Aleppo — Chapter 5 (1924)

With a cry he swung hard upon his sweep, motioning for Ayub to do the same, and the prow of El Riman entered the shadows between the hills.
The river was not wide, but it was deep and tortuous, between shelving clay banks. No landing place offered, and Demid gave order to cast over anything that would lighten the galley—water-butts, anchor, and such of the stores as were on deck. Some of the warriors walked among the benches thrusting biscuits soaked in wine into the mouths of the rowers, while others saddled the ponies—to the amazement of the slaves—and filled the saddle-bags hastily.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The Witch of Aleppo — Chapter 5 (1924)

The rush of water and the creaking of the oars did not drown the voice of Lali. The song deepened, sounding the ring of weapons, the thudding of horses’ hoofs, and mellowed to a note of grief, dwindling so that long after she had ceased the warriors strained their ears to catch her voice.
The eyes of the ataman, Demid, sweeping the stretch of gray water, were moody. He was thinking of the steppe, the homeland of the Cossacks, and of another voice. So Ileana, the granddaughter of Rurik had sung to him when he was weary.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The Witch of Aleppo — Chapter 5 (1924)

In such fashion did El Riman, the swift galley, set out to sea.
“Faith,” grinned Michael, casting his eye down the deck, “’tis Jason and his Argonauts, come to life again.”
Leaning his weight on one of the long steering-oars—he and Ostrog shared this duty with Ayub who alone of the Cossacks had voyaged on a galley—he bethought him of the saga of Jason and his men, the first of the adventurers of the sea.
Source: Wikisource

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