Henry Arthur Bright

Summary

Henry Arthur Bright The English Flower Garden

Every available garden wall will be covered with fruit-trees, beautiful in spring time with the pink flowers of peach and nectarine, or the white bloom of pear and cherry. Near the vineries will probably be the flower garden, divided into small beds by narrow gravel walks, and with long strips of garden stretching down along the side of the vegetables or gooseberry bushes, so that even here there will be something of fragrance and of beauty. Even the kitchen-garden itself may be so arranged as to keep the more homely kail-yard out of sight.
Source: Gutenberg

Henry Arthur Bright The English Flower Garden

Is it any wonder if horticulture in its best sense—that is, the culture of the garden as a whole—is not what it should be? No gardener can get prizes for well-kept beds, for effects of harmonious colouring, for arrangement of shrubberies, for the grouping of herbaceous plants. He is tempted for the sake of a single specimen to sacrifice the beauty of a whole plant, or the clusters of an entire fruit-tree. That it is most important for nurserymen to be able to compare new species, [74] or new varieties of old species, is of course undeniable.
Source: Gutenberg

Henry Arthur Bright The English Flower Garden

We must learn to look on plants, not as mere points of colour, but as old friends on whose coming we can rely, and who, returning with the recurring seasons, bring back with them pleasant memories of past years. And if, as often happens, they are plants consecrated by song or legend, the imagination is quickened as surely as the heart is stirred. We must remember, too, that our personal delight in a garden is entirely independent of its size or the perfection of its appliances.
Source: Gutenberg

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