Henry C. Rowland

Henry C. Rowland

Summary

Portrait of Henry C. Rowland Henry C. Rowland True to Form (1922)

Watching the face of the dragoman, I saw a curious change spread over it. I had been struck immediately on Mustapha's entry—as almost every one was on seeing him for the first time—with the peculiar loftiness of expression, such a quality of thoughtful serenity and meditative calm as one might associate with the visage of a philosopher or poet or prelate of the church who is earth-bound only in his physical being. It seemed singular that a man of his lowly origin and occupation should possess this faculty of inspiring folk so far superior in station with an almost instantaneous respect.
Source: Wikisource

Portrait of Henry C. Rowland Henry C. Rowland True to Form (1922)

I had passed a restless night, falling into a comfortable doze just before the dawn, and now, as the muezzin's quavering cry called me back to consciousness, I stretched and yawned and was about to swing my legs out of bed and go to the window to see if the yacht was there when there came a peculiar termination to the summons of the faithful.
For just as the last notes of the muezzin's eerie cry were dying away in fading cadences, the whistle of a steam siren took them up. It was as if some blasphemous genie was mocking the devout summons to prayer.
Source: Wikisource

Portrait of Henry C. Rowland Henry C. Rowland True to Form (1922)

But I knew that this was an Ottoman trait, and one that should cause no astonishment, because among the Osmanli Turks there is actually no caste. A slave might one day be sultan or a peasant girl, who happened to be a phenomenon of beauty, might become sultana and the mother of a sultan whom some coup d'état might reduce to the rank of slave. In no other race, perhaps, is the high blood and the low so freely mingled, and the result of this crops out in such men as, Mustapha,
But now, as I watched I saw the curious exfoliation of Mustapha's soul.
Source: Wikisource

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