Summary

Henry Chandlee Forman Virginia Architecture in the Seventeenth Century

These people began to look toward a goal which may have been vaguely defined in their minds: a handsome and shipshape residence, preferably of brick, of two rooms deep and two storeys-and-garret high, with wings or separate dependencies to balance; a neat and orderly mansion, without steep gables, but with one cornice line for the whole building. This goal, of course, was the Georgian mansion of the eighteenth century.
At any rate, between 1680 and 1730 change permeated the air of Virginia, and a whole host of experimental buildings sprang up which we loosely label as "Transitional."
Source: Gutenberg

Henry Chandlee Forman Virginia Architecture in the Seventeenth Century

In order to protect the inhabitants against attack, the usual entrance in the walls was narrow, so that only one man at a time could enter. Often measuring two-and-a-half feet wide, such a gateway was formed, snail-shell-like, by the overlapping of the ends of the palisade. When the English in Virginia saw such gates, they called them "turnpikes," possibly because the gates carried spears or sharp projections, vaguely resembling the spiked entrances of medieval England.
Source: Gutenberg

Henry Chandlee Forman Virginia Architecture in the Seventeenth Century

But in spite of the penetrating wedge of the "Early Renaissance" into the great mass of English medieval construction, Britain remained a place where medieval building traditions, [20] especially in the rural areas, remained powerful and overwhelmingly popular throughout the seventeenth century. The situation was, for all purposes, like a grain of Renaissance sand in a medieval bucket. That we should remember when we survey the early architecture of Virginia.
Source: Gutenberg

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