Henry Woodd Nevinson

Henry Woodd Nevinson

Summary

Portrait of Henry Woodd Nevinson Henry Woodd Nevinson The Dardanelles campaign (1920)

Shaded by the largest remaining trees lay the headquarters of the Royal Naval Division, always near the front, always engaged, and hardly enough recognised. Being neither army nor navy, they share the common danger of nondescripts, and people at home do not forget the untrained condition in which they were rushed out to Antwerp. Now war has given them the sternest training, and here they stand, always ready to take a foremost place in the fighting line, singularly clean in dug-out and trench, singularly free from all the common ailments of a war in sun and flying dirt.
Source: Gutenberg

Portrait of Henry Woodd Nevinson Henry Woodd Nevinson The Dardanelles campaign (1920)

But just before daylight the shrapnel terrifically increased, the Turks swarmed round in irresistible crowds, the centre of the K.O.S.B. trenches was rushed, and the men driven headlong down the gorge. Only those who know the nature of the ground, the cliffs some 200 feet high, and the depth of the ravine, half hidden by thick and prickly scrub, can realise the horror of that scene, or the superb devotion of those who still remained to hold the summit while the wounded were being carried on waterproof sheets (without stretchers) down to the beach.
Source: Gutenberg

Portrait of Henry Woodd Nevinson Henry Woodd Nevinson The Dardanelles campaign (1920)

All the time they kept up a casual rifle-fire. Some six miles away, in the centre of the Peninsula south, I could see the long and steep position of Kilid Bahr plateau, where the Turks drill new troops daily, and three or four miles farther still away rose the dangerously gentle slopes and low, flat summit of Achi Baba. Beyond it gleamed the sudden flashes of Turkish and British guns defending or assaulting the sand-blown point of land between Krithia and Cape Helles. Sometimes, too, a warship’s searchlight shot a brilliant ray across the view.
Source: Gutenberg

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