John Masefield

John Masefield

Summary

Portrait of John Masefield John Masefield Gallipoli

A few exhausted ones fall not into sleep but into nervous dreams, full of twitches and cries, like dogs' nightmares, and away at sea some ship opens with her great guns at an unseen target up the hill. The terrific crashes shake the air; some one sees a movement in the grass and fires; others start up and fire. The whole irregular line starts up and fires, the machine guns rattle, the officers curse, and the guns behind, expecting an attack, send shells into the woods. Then slowly the fire drops and dies, and stray Turks, creeping up, fling bombs into the trench.
Source: Gutenberg

Portrait of John Masefield John Masefield Gallipoli

From half-past five till midnight every section of the line was searched by bombs and bullets, by stink pots, and sticks of dynamite, by gas-bombs and a falling tumult of shell and shrapnel, which only ceased to let some rush of Turks attack, with knives, grenades and bayonets, hand to hand and body to body in a blackness like the darkness of a mine. At midnight the wounded were lying all over the trenches, the enemy dead were so thick that our men had to walk on them, and bombs were falling in such numbers that every foot in those galleries was stuck with human flesh. No man slept that night.
Source: Gutenberg

Portrait of John Masefield John Masefield Gallipoli

They go back to the trench, not afraid, but in a kind of maze, and as they take stock and count their strength there comes the roar of the Turkish war cry, the drum-like proclamation of the faith, and the Turks come at them with the bayonet. Then that lonely remnant of a platoon stands to it with rapid fire, and the machine gun rattles like a motor bicycle, and some ribald or silly song goes up, and the Turks fail to get home, but die or waver and retreat and are themselves charged as they turn.
Source: Gutenberg

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