Honoré de Balzac

Honoré de Balzac

Summary

Portrait of Honoré de Balzac Honoré de Balzac An Episode under the Terror

For want of a missal, the priest had laid his breviary on the altar, and a common earthenware plate was set for the washing of hands that were pure and undefiled with blood. It was all so infinitely great, yet so little, poverty-stricken yet noble, a mingling of sacred and profane.
The stranger came forward reverently to kneel between the two nuns. But the priest had tied crape round the chalice of the crucifix, having no other way of marking the mass as a funeral service; it was as if God himself had been in mourning.
Source: Wikisource

Portrait of Honoré de Balzac Honoré de Balzac An Episode under the Terror

Unable to think clearly, she walked twice as fast as before, as if it were possible to escape from a man who of course could move much faster; and for some minutes she fled on, till, reaching a pastry-cook's shop, she entered and sank rather than sat down upon a chair by the counter.
A young woman busy with embroidery looked up from her work at the rattling of the door-latch, and looked out through the square window-panes. She seemed to recognize the old-fashioned violet silk mantle, for she went at once to a drawer as if in search of something put aside for the newcomer.
Source: Wikisource

Portrait of Honoré de Balzac Honoré de Balzac An Episode under the Terror

The crowd poured by like a flood. The abbe, yielding to an impulse of curiosity, looked up above the heads, and there in the tumbril stood the man who had heard mass in the garret three days ago.
"Who is it?" he asked; "who is the man with——"
"That is the headsman," answered M. Ragon, calling the executioner—the executeur des hautes oeuvres—by the name he had borne under the Monarchy.
"Oh! my dear, my dear! M. l'Abbe is dying!" cried out old Madame Ragon. She caught up a flask of vinegar, and tried to restore the old priest to consciousness.
Source: Gutenberg

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