Summary

Horatio Alger The Young Musician: Or, Fighting His Way (1906)

Without a word, Squire Pope walked off, in angry discomfiture, in one direction, while Nick, equally dissatisfied, walked off in another. “They don't seem happy!” said Frank slyly. “I wish I knew where it was going to end,” returned Philip gravely. “It seems to me,” said Frank, “the squire is making a great fuss about a fiddle, for a man of his dignity.” “He doesn't care about the violin. He wants to have his own way,” said Philip, thus hitting the nail on the head.
Source: Wikisource

Horatio Alger The Young Musician: Or, Fighting His Way (1906)

Just then up came his niece, Carrie, who was determined to get acquainted with Philip. “Uncle,” she said, “introduce me to Mr. Gray.” “This is my niece, Caroline Cunningham,” said the squire stiffly. “I am glad to meet Miss Cunningham,” said Philip, extending his hand, with a smile. “What a lovely player you are, Mr. Gray!” she said impulsively. “I am afraid you are flattering me, Miss Cunningham.” “Don't call me Miss Cunningham. My name is Carrie.” “Miss Carrie, then.” “I was ever so much surprised to hear that uncle was your guardian.”
Source: Wikisource

Horatio Alger The Young Musician: Or, Fighting His Way (1906)

Squire Pope smiled complacently. It pleased him to be spoken of as a public man. “Ahem! Well, yes, I believe I have no inconsiderable influence in town affairs,” he responded. “I am on the board of selectmen, and am chairman of the overseers of the poor, and in that capacity I shall convey Philip Gray to the comfortable and well-ordered institution which the town has set apart for the relief of paupers.” “I don't like to think of Philip as a pauper,” said Mrs. Pope, in a deprecating tone. “What else is he?” urged her husband. “His father hasn't left a cent. He never was a good manager.”
Source: Wikisource

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