I. A. R. Wylie

I. A. R. Wylie

Summary

Portrait of I. A. R. Wylie I. A. R. Wylie A Prince of Marionettes (1915)

The grand duchess looked up at him, perforce, and his large, intensely living eyes met hers without flinching.
“I have to thank you, monsieur,” she said gravely, and her girlish enthusiasm, mingled with an inherent dignity, had become a sweet, impersonal graciousness. “I have rarely heard such music as I have heard to-night, and music is everything to me—the only thing I love.” She paused a little, and grew more grave, as if holding his steady gaze away from her. “His excellency tells me you are here to produce your new opera, monsieur.”
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie A Prince of Marionettes (1915)

His excellency saw the prince consort lean forward with a courteous movement of interrogation. It was as if he were venturing to ask her for a repetition of her last sentence. And the grand duchess looked up at him with a fire glowing at the back of her shadowed eyes that his excellency did not see.
“Yes, I wrote them,” she said again.
“You—but not to me,” he flung back. “They are love songs!”
“Yes—and I wrote them. I am quite human enough to love.”
“But not me,” he reiterated.
“One does not love puppets who sell themselves,” she said.
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie A Prince of Marionettes (1915)

The grand duchess controlled a start, and stretched out her hand in gracious, girlish welcome.
“You have come at a good hour, monsieur. You can give a voice to all this color, for, to me, color and sound are only different expressions of each other—or different expressions of all beauty, seeking its way by different paths into men's hearts. Is that not so?”
“Your royal highness is an artist,” he returned, his gray eyes fixed with a fearless directness on her face.
“I love what is beautiful,” she answered. “I hunger after what is beautiful. Is that to be an artist?”
Source: Wikisource

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