Summary

Portrait of I. A. R. Wylie I. A. R. Wylie The Mad Busman, and Other Stories… (1926)

She is beautiful still—I think more beautiful even than that night when she came down the dark oak stairs of her home, a vision of golden youth, bringing our noisy gaiety to an astonished eager silence. Women are like works of art. If they are lovely at heart, age can only deepen their loveliness. If they are tawdry and shallow, their decay is a hideous thing. And Christine Rivers is fine all through.
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie The Mad Busman, and Other Stories… (1926)

Christine—my blue-eyed, shining Christine—who had loved the loveliness of the world so much, who had turned away from it all for love—now dark, utterly dark forever. It was like a cruel, ironic stroke of fate, an abominable perverse justice. It was as though the power that had given her sight and understanding had been outraged at her sacrifice of the gift.
It was a morbid, horrible reflection. I looked at Fenwick. To my utter amazement I saw that his face was wet. He made no attempt to hide his tears. He was too big to be ashamed.
"I'm crying for both of us," he said. "She doesn't cry at all.
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie The Mad Busman, and Other Stories… (1926)

Fenwick."
He took her hand and held it—it seemed to me for an eternity—and she made no effort to free herself. It was like an enchantment, and if it sounds exaggerated and impossible it was none the less true that every one who saw them together in that moment knew what was to happen. I knew. It seemed to me that my blood turned to ice. My vague resentment became hatred—not because I had lost everything to a man who had not raised a finger to defeat me, but because I knew that he could only make her unhappy.
Source: Wikisource

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