Summary

Portrait of I. A. R. Wylie I. A. R. Wylie The Romances of Sandy McGrab — The Romances of Sandy McGrab (1914)

Nothing moved save the sunlight, flying like a beaten army to a last fastness on the distant hilltops. Not a stag—not so much as a rabbit—showed itself. Sandy McGrab sniffed the air luxuriously. There was a keenness in it that told of long, hard nights to come and the scent of the moldering leaves that shone red gold against the somber background of faded gorse and heather. A long way off something dead white glittered amidst the crimson clouds—the first finger streak of winter. A mighty sigh of relief heaved up Sandy McGrab's big shoulders.
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie The Romances of Sandy McGrab — The Romances of Sandy McGrab (1914)

A quarter of an hour later, Jeannie Saunders, who had kept anxious watch at the window opposite, saw him stride up the street and around by the bridge that leads over the river to Glen Every. Jeannie Saunders drew a little sigh of relief. She had never been outside Kirk Humphries, but her woman's instinct mistrusted brazen hussies who danced in pink stockings, and still more the strong-mindedness of the mankind that condemned them. And Sandy McGrab had not so much as glanced at the white tent pitched in the market place.
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie The Romances of Sandy McGrab — The Romances of Sandy McGrab (1914)

What the rabbit thought of it could not be said, but there was that in Sandy McGrab's rich-toned voice that assuredly must have compelled the late Andrew McGrab, minister at Kirk Humphries, to turn, not once, but many times, in his grave.
“Age cannot wither her, nor custom stale
Her infinite variety,”
declared Sandy McGrab finally and triumphantly. And at that moment some one applauded.
Sandy McGrab started as if he had been shot. No conscience-stricken murderer could have gazed more guiltily about him.
Source: Wikisource

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