Summary

Portrait of I. A. R. Wylie I. A. R. Wylie The Romances of Sandy McGrab — Law and Order (1914)

There was the curate, hanging over the mantelshelf, and the sweet-faced girl whom the curate loved, and their respective hearts in deadly danger of breakage. If Sandy McGrab told the truth, it would be all over with everything. The curate's ideal would be wrecked, and the girl would lose her work, and every one would be miserable. Whereas, if Sandy McGrab held his tongue, no one would ever know. True, the world would lose a great actor and a certain lady a devoted husband, but, he supposed wistfully, both would get over the loss. At this point, Sandy McGrab had a lump in his throat.
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie The Romances of Sandy McGrab — Law and Order (1914)

Anthony in a wilderness of wickedness could not have felt more desolate than did Sandy McGrab in Regent Street.
He wandered on listlessly and objectlessly, until all at once the crowd seemed to thin. He found himself in a quiet thoroughfare with big, pompous-looking houses on either hand, and immediately in front of him was the girl who had stood beside him in the theater. He hesitated an instant, and she seemed to hesitate, too. Her face was turned to one of the houses. Sandy fancied that she was gazing up at one of the windows almost on a level with the street.
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie The Romances of Sandy McGrab — Law and Order (1914)

The curate smiled infinite wisdom into the twilight.
“Ye dinna ken woman as I do,” he said. “If the lady I marry is English, she is yet as gentle and pure and good as the flowers. There's nothing modern about her. She is like the women our mothers were, Mr. McGrab—an angel who, living in the very midst of a sinful world, knows nothing but what is good.”
Source: Wikisource

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