Summary

Portrait of Irvin S. Cobb Irvin S. Cobb My Story That I Like Best

It was many minutes before the cry came again, and then it was so near that Joan put her hands to her mouth, and her cry rang out over the plain as of old:
"Kazan! Kazan! Kazan!"
At the top of the Sun Rock, Gray Wolf—gaunt and thinned by starvation—heard the woman's cry, and the call that was in her throat died away in a whine. And to the north a swiftly moving shadow stopped for a moment, and stood like a thing of rock under the starlight. It was Kazan. A strange fire leaped through his body. Every fiber of his brute understanding was afire with the knowledge that here was home.
Source: Gutenberg

Portrait of Irvin S. Cobb Irvin S. Cobb My Story That I Like Best

All her life, except the years she had passed at a Mission school over at Fort Churchill, she had lived in the forests—a wild flower of nature as truly as the velvety bakneesh flowers among the rocks. And civilization had done for her what it had done for many another wild flower transplanted from the depths of the wilderness. She did not look as she did in the days when she was Kazan's mistress, and when the wolf-dog's loyalty was divided between Gray Wolf, on the Sun Rock, and Joan, in the cabin half a mile away.
Source: Gutenberg

Portrait of Irvin S. Cobb Irvin S. Cobb My Story That I Like Best

There is no cruder thing than a city crowd, all eyes and morbid curiosity. But Mr. Trimm didn't see the staring eyes on that ride to the Grand Central. What he saw was many shifting feet and a hedge of legs shutting him in closely—those and the things on his wrists. What the eyes of the crowd saw was a small, stout man who, for all his bulk, seemed to have dried up inside his clothes so that they bagged on him some places and bulged others, with his head tucked on his chest, his hat over his face and his fingers straining to hold his coat sleeves down over a pair of steel bracelets.
Source: Gutenberg

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