Summary

Portrait of Edna Ferber Edna Ferber,  Cheerful—By Request

“ Julia, at the head of the stairway, stood looking after Two-eighteen until the tail of her silken draperies had whisked round the corner. Then, still staring, Julia spoke resentfully:
"Life for her is just one darned pair of long white kid gloves after another! Look at her! Why is it that kind of a face is always wearing the sables and diamonds?"
"Sables and diamonds," replied Sadie Corn, sniffing essence of peppermint, "seem a small enough reward for having to carry round a mug like that!"
Julia came round to the front of Sadie Corn's desk. Her eyes were brooding, her lips sullen.
”
Source: Gutenberg

Portrait of Edna Ferber Edna Ferber,  Cheerful—By Request

“ It was Jo, the clean-minded and simple-hearted, in revolt against the cloying luxury with which he had surrounded himself. The bedroom, of all rooms in any house, reflects the personality of its occupant. True, the actual furniture was panelled, cupid-surmounted, and ridiculous. It had been the fruit of Jo's first orgy of the senses. But now it stood out in that stark little room with an air as incongruous and ashamed as that of a pink tarleton danseuse who finds herself in a monk's cell. None of those wall-pictures with which bachelor bedrooms are reputed to be hung. No satin slippers. ”
Source: Gutenberg

Portrait of Edna Ferber Edna Ferber,  Cheerful—By Request

“ Sophy Gold sat silent a moment, hesitating. Then she turned a puzzled face toward Miss Morrissey.
"What do people mean when they say they love Paris?"
Ella Morrissey stared. Then a queer look came into her face—a pitying sort of look. The shrewd eyes softened. She groped for words.
"When I first came over here, ten years ago, I—well, it would have been easier to tell you then. I don't know—there's something about Paris—something in the atmosphere—something in the air. It—it makes you do foolish things. It makes you feel queer and light and happy.
”
Source: Gutenberg

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