“ Theodore's talk of the past week had accomplished that. Fanny knew that here was a man who did one thing better than any one else in the world. She thrilled to that thought. She adored the quality in people that caused them to excel. Schabelitz had got hold of a jack-in-the-box, and each time the absurd head popped out, with its grin and its squawk, he laughed like a boy. Fanny, standing behind the wrapping counter, and leaning on it with her elbows the better to see this great man, smiled too, as her flexible spirit and her mobile mind caught his mood. ”
Edna Ferber
Biographical details
Edna Ferber (1885–1968), an American novelist, short story writer, and playwright, is celebrated for her Pulitzer Prize-winning novel So Big (1924) and Show Boat (1926), adapted into a groundbreaking musical. Her works often center on strong female protagonists and explore themes of racial and cultural prejudice, reflecting her Jewish heritage and experiences of antisemitism.
Ferber’s narratives, such as Giant (1952) and Cimarron (1930), blend American regional cultures with universal challenges, while her collaborations with George S. Kaufman on plays like Dinner at Eight highlight her sharp wit and social critique. Her legacy endures through adaptations and her unflinching portrayal of identity, perseverance, and societal conflicts.
Quotes by Edna Ferber
Edna Ferber,
Show Boat
(1926)
“ VI It was the theatre, perhaps, as the theatre was meant to be. A place in which one saw one’s dreams come true. A place in which one could live a vicarious life of splendour and achievement; winning in love, foiling the evildoer; a place in which one could weep unashamed, laugh aloud, give way to emotions long pent-up. When the show was over, and they had clambered up the steep bank, and the music of the band had ceased, and there was left only the dying glow of the kerosene flares, you saw them stumble a little and blink, dazedly, like one rudely awakened to reality from a lovely dream. ”
Edna Ferber,
Roast Beef, Medium: The Business Adventures of Emma McChesney
“ Emma McChesney glanced in. Then she stopped. It was not the appearance of the room that held her. You may have heard of the wilds of an African jungle—the trackless wastes of the desert—the solitude of the forest—the limitless stretch of the storm-tossed ocean; they are cozy and snug when compared to the utter and soul-searing dreariness of a small town hotel parlor. You know what it is—red carpet, red plush and brocade furniture, full-length walnut mirror, battered piano on which reposes a sheet of music given away with the Sunday supplement of a city paper. ”
Edna Ferber,
So Big
(1924)
“ Yard and dwelling had a geometrical neatness like that of a toy house in a set of playthings. The effect was marred by a clothes-line hung with a dado of miscellaneous wash—a pair of faded overalls, a shirt, socks, a man’s drawers carefully patched and now bellying grotesquely in the breeze like a comic tramp turned bacchanal. Selina was to know this frieze of nether garments as a daily decoration in the farm-wife’s yard. Peering down over the high wheel she waited for Klaas Pool to assist her in alighting. ”
Edna Ferber,
Personality Plus: Some Experiences of Emma McChesney and Her Son…
“ And, "Jock dear," Emma McChesney said, "you've still to learn that plans and ambitions are like soap bubbles. The harder you blow and the more you inflate them, the quicker they burst. Plans and ambitions are things to be kept locked away in your heart, Son, with no one but yourself to take an occasional peep at them." Jock leaned over the table, with his charming smile. "You're a jealous blonde," he laughed. "Because I'm going to be a captain of finance—an advertising wizard; you're afraid I'll grab the glory all away from you." ”
Edna Ferber,
Cheerful—By Request
“ It was Jo, the clean-minded and simple-hearted, in revolt against the cloying luxury with which he had surrounded himself. The bedroom, of all rooms in any house, reflects the personality of its occupant. True, the actual furniture was panelled, cupid-surmounted, and ridiculous. It had been the fruit of Jo's first orgy of the senses. But now it stood out in that stark little room with an air as incongruous and ashamed as that of a pink tarleton danseuse who finds herself in a monk's cell. None of those wall-pictures with which bachelor bedrooms are reputed to be hung. No satin slippers. ”
“ Aunt Sophy listened for the reassuring sound of Adele's spoons and plates in the kitchen. She came forward. "Now, listen——" she began. "I love him," said Julia Gold, dramatically. "I love him!" Except that it was very white and, somehow, old-looking, Aunt Sophy's face was as benign as always. "Now, look here, Julia, my girl. That isn't love, and you know it. I'm an old maid, but I know what love is when I see it. I'm ashamed of you, Julia. Sensible woman like you, hugging and kissing a boy like that, and old enough to be his mother." ”
Edna Ferber,
Dawn O'Hara: The Girl Who Laughed
“ There never was a sister like Norah. But then, who ever heard of a brother-in-law like Max? No woman—not even a frazzled-out newspaper woman—could receive the love and care that they gave me, and fail to flourish under it. They had been Dad and Mother to me since the day when Norah had tucked me under her arm and carried me away from New York. Sis was an angel; a comforting, twentieth-century angel, with white apron strings for wings, and a tempting tray in her hands in place of the hymn books and palm leaves that the picture-book angels carry. ”
Edna Ferber,
Emma McChesney and Co
“ What you did for Jock, purposefully and by force, you did for me, too. Not so directly, perhaps, but with the same result. Emma McChesney, you've made—actually made, molded, shaped, and turned out two men. You're the greatest sculptor that ever lived. You could make a scarecrow in a field get up and achieve. Everywhere one sees women over-wrought, over-stimulated, eager, tense. When there appears one who has herself in leash, balanced, tolerant, poised, sane, composed, she restores your faith in things. You lean on her, spiritually. I know I need you more than you need me, Emma. ”
“ The next day Hugo came home with a new hat for his mother, a four-pound steak, and the announcement that he was going to take music lessons. A new era had begun in the life of Ma Mandle.Two people, no matter how far apart in years or tastes, cannot struggle side by side, like that, in a common cause, without forging between them a bond indissoluble. Hugo, at twenty-eight, had the serious mien of a man of forty. At forty he was to revert to his slighted twenty-eight, but he did not know that then. His music lessons were his one protest against a beauty-starved youth. ”
“ Little Doctor Thalmann raised his arms. The congregation swept to its feet with a mighty surge. Fanny rose with them, her face very white in its frame of black curls, her eyes luminous. She raised her face for the words of the ancient benediction that rolled, in its simplicity and grandeur, from the lips of the rabbi: “May the blessing of the Lord our God rest upon you all. God bless thee and keep thee. May God cause His countenance to shine upon thee and be gracious unto thee. May God lift up His countenance unto thee, and grant thee peace.” ”
Edna Ferber,
So Big
(1924)
“ Maartje Pool, depositing the lamp on the little wash-stand preparatory to leaving, smiled pridefully. “Drum.”’ “Drum?” “For heat your room.” Selina touched it. It was icy. “When there is fire,” Mrs. Pool added, hastily. In her mind’s eye Selina traced the tin tube below running along the ceiling in the peaceful and orderly path of a stove-pipe, thrusting its way through the cylindrical hole in the ceiling and here bursting suddenly into swollen and monstrous bloom like an unthinkable goitre on a black neck. Selina was to learn that its heating powers were mythical. ”
Edna Ferber,
Show Boat
(1926)
“ Outside the kerosene search-light, cunningly rigged on top of the Mollie Able’s pilot house, threw its broad beam up the river bank to the levee.Of all the hours in the day this was the one most beloved of Magnolia’s heart. She enjoyed the stir, the colour, the music, the people. Anything might happen on board the Cotton Blossom Floating Palace Theatre between the night hours of seven and eleven. And then it was that she was banished to bed. There was a nightly struggle in which, during the first months of their life on the rivers, Mrs. Hawks almost always won. ”
Edna Ferber,
Dawn O'Hara: The Girl Who Laughed
“ Dawn, I ask you in the name of all that is reasoning, and for the sake of your happiness and mine, to divorce this man Peter Orme—this man who for almost ten years has not been your husband—who never can be your husband. I ask you to do something which will bring suffering to no one, and which will mean happiness to many. Let me make you happy—you were born to be happy—you who can laugh like a girl in spite of your woman’s sorrows—” But I sank into a chair and hid my face in my hands so that I might be spared the beauty and the tenderness of his eyes. ”
Edna Ferber,
Roast Beef, Medium: The Business Adventures of Emma McChesney
“ Emma McChesney's lips opened as do those of one whose tongue's end holds a quick and stinging retort. Then they closed again. She walked over to the big window that faced the street. When she had stood there a moment, silent, she swung around and came back to where T. A. Buck stood, still wrapped in gloom. “Maybe I don't take myself seriously. I'd have been dead ten years ago if I had. But I do take my job seriously. Don't forget that for a minute. You talk the way a man always talks when his pride is hurt.” ”
Edna Ferber,
Personality Plus: Some Experiences of Emma McChesney and Her Son…
“ I could name a hundred men that are better all-around advertising men than you will ever be. Those men have advertising ability that glows steadily and evenly, like a well-banked fire. But you've got the kind of ability that flares up, dies down, flares up. But every flare is a real blaze that lights things red while it lasts, and sends a new glow through the veins of business. You've got personality, and youth, and enthusiasm, and a precious spark of the real thing known as advertising genius. ”
“ She was fighting the great fight of her life. She was to meet other temptations, and perhaps more glittering ones, in her lifetime, but to her dying day she never forgot that first battle between the flesh and the spirit, there in the sugar-scented pantry—and the spirit won. As Bella's lips closed upon the second bite of apricot tart, the while her eye roved over the almond cakes and her hand still held the sweet out to Fanny, that young lady turned sharply, like a soldier, and marched blindly out of the house, down the back steps, across the street, and so into the temple. ”
Edna Ferber,
Show Boat
(1926)
“ All that Parthy ever had in her life of colour, of romance, of change, he brought her. But for him she would still be ploughing through the drifts or mud of the New England road on her way to and from the frigid little schoolhouse. But for him she would still be living her barren spinster life with her salty old father in the grim coast town whence she had come. She was to trail through the vine-hung bayous of Louisiana; float down the generous rivers of the Carolinas, of Tennessee, of Mississippi, with the silver-green weeping willows misting the water’s edge. ”
Edna Ferber,
So Big
(1924)
“ Sometimes, during those months, Selina would look back on her first winter in High Prairie—that winter of the icy bedroom, the chill black drum, the schoolhouse fire, the chilblains, the Pool pork—and it seemed a lovely dream; a time of ease, of freedom, of careless happiness. That icy room had been her room; that mile of road traversed on bitter winter mornings a mere jaunt; the schoolhouse stove a toy, fractious but fascinating. Pervus DeJong loved his pretty young wife, and she him. But young love thrives on colour, warmth, beauty. ”
Edna Ferber,
Emma McChesney and Co
“ I say it because it's true. Your father, T. A., used to see things straighter and farther than any business man I ever knew. Since his death made me a partner in this firm, I find myself, when I'm troubled or puzzled, trying to see a situation as he'd see it if he were alive. It's like having an expert stand back of you in a game of cards, showing you the next move. That's the way I'm playing this hand. And I think we're going to take most of the tricks away from Fat Ed Meyers." T. A. Buck's eyes traveled from Emma McChesney's earnest, glowing face to the hand that rested on his arm. ”
Edna Ferber,
Dawn O'Hara: The Girl Who Laughed
“ Around its edge were flutings and scrolls of white icing, and on its broad breast reposed cherries, and stout butterflies of jelly, and cunning traceries of colored sugar. It was quite the dressiest cake I had ever beheld. Surely no human hand could be wanton enough to guide a knife through all that magnificence. But in the center of all this splendor was an inscription in heavy white letters of icing: “Charlottens Geburtstag.” Reluctantly I tore my gaze from this imposing example of the German confectioner’s art, for Blackie was tugging impatiently at my sleeve. ”
“ There were many times when the little Wisconsin town lay broiling in the August sun, or locked in the January drifts, and the main business street was as silent as that of a deserted village. But more often she came forward to you from the rear of the store, with bits of excelsior clinging to her black sateen apron. You knew that she had been helping Aloysius as he unpacked a consignment of chamber sets or a hogshead of china or glassware, chalking each piece with the price mark as it was dug from its nest of straw and paper. ”
Edna Ferber,
So Big
(1924)
“ She had been invited to dinners and luncheons and dances, but their doings, she told Dirk, had bored her. “They’re nice,” she said, “but they don’t have much fun. They’re all trying to be something they’re not. And that’s such hard work. The women were always explaining that they lived in Chicago because their husband’s business was here. They all do things pretty well—dance or paint or ride or write or sing—but not well enough. They’re professional amateurs, trying to express something they don’t feel; or that they don’t feel strongly enough to make it worth while expressing.” ”
Edna Ferber,
Show Boat
(1926)
“ Magnolia was evidently dressed for a festive occasion. The skirt of her light écru silk dress was a polonaise draped over a cream-white surah silk, and the front of the tight bodice-basque was of the same cream-white stuff. Her round hat of Milan straw, with its modishly high crown, had an artful brim that shaded her fine eyes, and this brim was faced with deep rose velvet, and a bow of deep rose flared high against the crown. The black of her hair was all the blacker for this vivid colour. ”
“ She knew that women buyers do not, as a rule, catch their breath with delight at sight of the pock-marked old Field Columbian museum in Jackson Park, softened and beautified by the kindly gray chiffon of the lake mist, and tinted by the rouge of the sunset glow, so that it is a thing of spectral loveliness. Successful mercantile women, seeing the furnace glare of the South Chicago steel mills flaring a sullen red against the lowering sky, do not draw a disquieting mental picture of men toiling there, naked to the waist, and glistening with sweat in the devouring heat of the fires. ”
Edna Ferber,
So Big
(1924)
“ A sociable woman, Selina, savouring life, she liked the lights, the colour, the rush, the noise. Her years of grinding work, with her face pressed down to the very soil itself, had failed to kill her zest for living. She prowled into the city’s foreign quarters—Italian, Greek, Chinese, Jewish. She penetrated the Black Belt, where Chicago's vast and growing Negro population shifted and moved and stretched its great limbs ominously, reaching out and out in protest and overflowing the bounds that irked it. Her serene face and her quiet manner, her bland interest and friendly look protected her. ”
Edna Ferber,
Show Boat
(1926)
“ You never knew what lay ahead of you—that is, Magnolia never knew. That was part of the fascination of it. The river curved and twisted and turned and doubled. Mystery always lay just around the corner of the next bend. But her father knew. And Mr. Pepper, the chief pilot, always knew. You couldn’t believe that it was possible for any human brain to remember the things that Captain Andy and Mr. Pepper knew about that treacherous, shifting, baffling river. Magnolia delighted to test them. ”
“ It was a brilliant January afternoon, with a snap in the air that was almost western. Fifth avenue flowed up, flowed down, and Fanny fought the impulse to stare after every second or third woman she passed. They were so invariably well-dressed. There was none of the occasional shabbiness or dowdiness of Michigan Avenue. Every woman seemed to have emerged fresh from the hands of masseuse and maid. Their hair was coiffed to suit the angle of the hat, and the hat had been chosen to enhance the contour of the head, and the head was carried with regard for the dark furs that encircled the throat. ”
Edna Ferber,
Show Boat
(1926)
“ VIII Magnolia, at fifteen, was a gangling gawky child whose eyes were too big for her face and whose legs were too long for her skirts. She looked, in fact, all legs, eyes, and elbows. It was a constant race between her knees and her skirt hems. Parthy was for ever lengthening frocks. Frequently Magnolia, looking down at herself, was surprised, like Alice in Wonderland after she had eaten the magic currant cake, to discover how far away from her head her feet were. ”
Edna Ferber,
So Big
(1924)
“ One June day, a month or more after their marriage, Selina drove into Chicago with Pervus, an incongruous little figure in her bride’s finery perched on the seat of the vegetable wagon piled high with early garden stuff. They had started before four that afternoon, and reached the city at nine, though the roads were still heavy from the late May rains. It was, in a way, their wedding trip, for Selina had not been away from the farm since her marriage. The sun was bright and hot. Selina held an umbrella to shield herself from the heat and looked about her with enjoyment and interest. ”
“ At 5:31 there trickled down the broad steps of building after building thin dark streams of humanity, like the first slow line of lava that crawls down the side of an erupting volcano. The trickle broadened into a stream, spread into a flood, became a torrent that inundated the streets, the sidewalks, filling every nook and crevice, a moving mass. Ten thousand people! A city! Fanny found herself shaking with excitement, and something like terror at the immensity of it. She tried to get a picture of it, a sketch, with the gleaming windows of the red brick buildings as a background. ”
Edna Ferber,
Show Boat
(1926)
“ Hawks’ discernment cut relentlessly through the outer layers of the young man’s charm and grace and melting manner and revealed the alloy. Ravenal’s nature recoiled at sight of a woman who employed none of the arts of her sex and despised and penetrated those of the opposite sex. She had no vanity, no coquetry, no reticences, no respect for the reticence of others; treated compliment as insult, met flattery with contempt.A hundred times during those four years he threatened to leave the Cotton Blossom, yet he was held to his wife Magnolia and to the child Kim by too many tender ties. ”
Edna Ferber,
So Big
(1924)
“ Selina thought constantly of Dirk’s future. A thousand other thoughts might be racing through her mind during the day—plans for the farm, for the house—but always, over and above and through all these, like the steady beat of a drum penetrating sharper and more urgent sounds—was the thought of Dirk. He did well enough at high school. Not a brilliant student, nor even a very good one. ”
“ Heyl had told her that Lasker was always at his desk at eight. Now, Fanny Brandeis knew that the average young woman, standing outside the office of a man like Lasker, unknown and at the mercy of office boy or secretary, continues to stand outside until she leaves in discouragement. But Fanny knew, too, that she was not an average young woman. She had, on the surface, an air of authority and distinction. She had that quiet assurance of one accustomed to deference. She had youth, and beauty, and charm. She had a hat and suit bought in Paris, France; and a secretary is only human. ”
Edna Ferber,
Show Boat
(1926)
“ But best of all Magnolia loved the bright, gay, glass-enclosed pilot house high above the rest of the boat and reached by the ultimate flight of steep narrow stairs. From this vantage point you saw the turbulent flood of the Mississippi, a vast yellow expanse, spread before you and all around you; for ever rushing ahead of you, no matter how fast you travelled; sometimes whirling about in its own tracks to turn and taunt you with your unwieldy ponderosity ”
Edna Ferber,
So Big
(1924)
“ Life was too grim for the flowering of this softer side. Then, too, they had sprung from a phlegmatic and unemotional people. Klaas toiled like a slave in the fields and barn; Maartje’s day was a treadmill of cooking, scrubbing, washing, mending from the moment she arose (four in the summer, five in the winter) until she dropped with a groan in her bed often long after the others were asleep. Selina had never seen her kiss Geertje or Jozina. ”
“ But then, that was Chicago. All contrast. The Illinois Central railroad puffed contemptuous cinders into the great blue lake. And almost in the shadow of the City Hall nestled Bath-House John's groggery. Michigan Avenue fascinated her most. Here was a street developing before one's eyes. To walk on it was like being present at a birth. It is one of the few streets in the world. New York has two, Paris a hundred, London none, Vienna one. Berlin, before the war, knew that no one walked Unter den Linden but American tourists and German shopkeepers from the provinces, with their fat wives. ”
Edna Ferber,
Show Boat
(1926)
“ The boots of Sheriff Ike Keener were clattering across the stage now. The white faces clustered in the doorway—the stricken, bewildered, horrified faces—turned from the two within the room to the one approaching it. They made way for this one silently. Even Parthy was dumb. Magnolia clung to her, wide-eyed, uncomprehending, sensing tragedy though she had never before encountered it.The lapel of his coat flung back, Ike Keener confronted the little cowed group on the stage. A star shone on his left breast. The scene was like a rehearsal of a Cotton Blossom thriller. ”
“ I tell you, Fanny, we Jews have got a money-grubbing, loud-talking, diamond-studded, get-there-at-any-price reputation, and perhaps we deserve it. But every now and then, out of the mass of us, one lifts his head and stands erect, and the great white light is in his face. And that person has suffered, for suffering breeds genius. It expands the soul just as over-prosperity shrivels it. You see it all the way from Lew Fields to Sarah Bernhardt; from Mendelssohn to Irving Berlin; from Mischa Elman to Charlie Chaplin. You were a person set apart in Winnebago. ”
Edna Ferber,
Show Boat
(1926)
“ Women rarely resented Gaylord Ravenal’s lack of consideration. They were off in a hack fetched by Ravenal from the near-by cab stand. It was no novelty for Kim to fall asleep in the dingy discomfort of a north side rooming house and to wake up amidst the bright luxuriousness of a hotel suite, without ever having been conscious of the events which had wrought this change. Instead of milk out of the bottle and an egg cooked over the gas jet, there was a shining breakfast tray bearing mysterious round-domed dishes whose covers you whipped off to disclose what not of savoury delights! ”
“ That apron had become a vice with Fanny. She brooded over it as a mother broods over the shapeless, scuffled bit of leather that was a baby's shoe; as a woman, widowed, clings to a shabby, frayed old smoking jacket. More than once she had cried herself to sleep with the apron clasped tightly in her arms. She got up from the floor now, with the apron in her hands, and went down the stairs, opened the door that led to the cellar, walked heavily down those steps and over to the furnace. She flung open the furnace door. ”
Edna Ferber,
Show Boat
(1926)
“ Sometimes they were in mid-river when the breakfast bell sounded; sometimes tied to a landing. The view might be plantation, woods, or small town—it was all one to the Cotton Blossom company, intent on coffee and bacon. Long before white-aproned Jo, breakfast bell in hand, emerged head first from the little doorway beneath the stage back of the orchestra pit, like an amiable black python from its lair, Mrs. Hawks was on the scene, squinting critically into cream jugs, attacking flies as though they were dragons, infuriating Queenie with the remark that the biscuits seemed soggy this morning. ”
“ A worn and dreary lot, these farmer women, living a skimmed milk existence, putting their youth, and health, and looks into the soil. They used often to sit back near the stove in winter, or in a cool corner near the front of the store in summer, and reveal, bit by bit, the sordid, tragic details of their starved existence. Fanny was often shocked when they told their age—twenty-five, twenty-eight, thirty, but old and withered from drudgery, and child-bearing, and coarse, unwholesome food. Ignorant women, and terribly lonely, with the dumb, lack-luster eyes that bespeak monotony. ”
Edna Ferber,
Show Boat
(1926)
“ There stood Parthenia Ann Hawks, silhouetted against sky and water, a massive and almost menacing figure in her robes of black—tall, erect, indomitable. Her face was set. The keen eyes gazed, unblinking, across the sunlit waters. One arm was raised in a gesture of farewell. Ruthless, unconquerable, headstrong, untamed, terrible.“She’s like the River,” Magnolia thought, through her grief, in a sudden flash of vision. “She’s the one, after all, who’s like the Mississippi.”A bend in the upper road. A clump of sycamores. The river, the show boat, the silent black-robed figure were lost to view. ”
“ This, then, was the atmosphere in which Fanny Brandeis found herself. As far from Haynes-Cooper as anything could be. At the end of the first week she found herself able to think clearly and unemotionally about Theodore, and about Fenger. She had even evolved a certain rather crude philosophy out of the ruins that had tumbled about her ears. It was so crude, so unformed in her mind that it can hardly be set down. To justify one's own existence. ”
