Edna Ferber

Edna Ferber

So Big (1924)

Summary

Portrait of Edna Ferber Edna Ferber,  So Big (1924)

“ Maartje Pool, depositing the lamp on the little wash-stand preparatory to leaving, smiled pridefully. “Drum.”’
“Drum?”
“For heat your room.” Selina touched it. It was icy. “When there is fire,” Mrs. Pool added, hastily. In her mind’s eye Selina traced the tin tube below running along the ceiling in the peaceful and orderly path of a stove-pipe, thrusting its way through the cylindrical hole in the ceiling and here bursting suddenly into swollen and monstrous bloom like an unthinkable goitre on a black neck. Selina was to learn that its heating powers were mythical.
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Source: Wikisource

Portrait of Edna Ferber Edna Ferber,  So Big (1924)

“ She had been invited to dinners and luncheons and dances, but their doings, she told Dirk, had bored her.
“They’re nice,” she said, “but they don’t have much fun. They’re all trying to be something they’re not. And that’s such hard work. The women were always explaining that they lived in Chicago because their husband’s business was here. They all do things pretty well—dance or paint or ride or write or sing—but not well enough. They’re professional amateurs, trying to express something they don’t feel; or that they don’t feel strongly enough to make it worth while expressing.”
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Source: Wikisource

Portrait of Edna Ferber Edna Ferber,  So Big (1924)

“ Yard and dwelling had a geometrical neatness like that of a toy house in a set of playthings. The effect was marred by a clothes-line hung with a dado of miscellaneous wash—a pair of faded overalls, a shirt, socks, a man’s drawers carefully patched and now bellying grotesquely in the breeze like a comic tramp turned bacchanal. Selina was to know this frieze of nether garments as a daily decoration in the farm-wife’s yard.
Peering down over the high wheel she waited for Klaas Pool to assist her in alighting.
”
Source: Wikisource

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