Isabel Hapgood

Summary

Isabel Hapgood,  Century Magazine (1895)

“ While little Sonya was thus laying the foundations of her future fame by industry, her elder sister, Aniuta, was behaving very much as any other girl would have done under the circumstances. Aniuta, who was very beautiful, talented, and gifted with a special charm of manner, had been trained to shine in society. Suddenly, just as the age arrived for her rising as a social star, she was carried off to the dullness of life in distant Palibino. Revolt was useless, as repeated attempts proved. Aniuta kept the household in a turmoil with her frantic projects for killing time. ”
Source: Wikisource

Isabel Hapgood,  Century Magazine (1895)

“ In one point they were, in a measure, alike: both Sonya Kovalevsky and Marie Bashkirtseff craved distinction in their work, and yet neither was willing to abdicate the woman's throne in the affections of men. At the bottom of their hearts the women who have won fame, and for any reason, no matter what, have missed the woman's distinctive domestic career, always regret that loss. ”
Source: Wikisource

Isabel Hapgood,  Century Magazine (1895)

“ The one thing for which Sonya Kovalevsky was conspicuous, in spite of her masculine learning, was her feminine foibles, contradictions, and dependence. She was so essentially and hopelessly feminine that even absorption in the most exact of all sciences failed to destroy the bloom of that old-fashioned, charming ideal, except in the point of carelessness as to her attire. In ordinary life she was as helpless as a child, and to the day of her death she never learned self-reliance. ”
Source: Wikisource

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