Summary

J. D. Beresford,  Nineteen Impressions — Introduction (1918)

“ Another means that we do not consciously seek is that of pain. It seems as if that suffering inner being of ours could be goaded at last to separate itself. The perpetual nagging of the children becomes unendurable, and for a moment or two the mother closes her eyes and stops her ears and attains the peace of separation.
But perhaps the commonest means whereby we obtain an instant's separation, is through literature. Something in us responds, we forget our bodies, and for one fugitive moment it is as if there had come an opening and we had looked out.
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Source: Wikisource

J. D. Beresford,  Nineteen Impressions — Introduction (1918)

“ At the best I could only say that if the story meant anything at all—and I was not the least sure whether it did or not—it meant that under the stress of such an excitement as the discovery of an unknown town, a man might be moved to dream of the shadow of some relation between himself and the impersonal; that he might, in fact, achieve the moment's separation which reveals the apparently commonplace as a vision of wonder. ”
Source: Wikisource

J. D. Beresford,  Nineteen Impressions — Introduction (1918)

“ It is like dull, drab paint on what was once a shining surface. It hides the mystery of those half-seen depths that do reflect something, even if we cannot see clearly what the image is.
My metaphor has slid away from nets to mirrors, but I make no apology for that. The metaphor is of no importance. Any one will do, and the more you mix them the better chance you have to catch a passing impression of that elusive brightness. If you fix your thought on a single figure, on the net, for example, you will presently see the net and nothing else.
”
Source: Wikisource

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