Summary

Portrait of Frank Podmore Frank Podmore The Naturalisation of the Supernatural… (1908)

As the years pass, any interval which may have existed between the vision and the death tends to disappear, and the two events coalesce, like a binary star, into one. The result actually presented to us will, in such cases, bear less resemblance to a photograph than to a finished picture, in which the crudity and inadequacy of the actual are fulfilled by the unconscious craftsmanship of the imagination. No process is more difficult to detect and guard against because it is, for the most part, instinctive, and involves no conscious departure from good faith.
Source: Wikisource

Portrait of Frank Podmore Frank Podmore The Naturalisation of the Supernatural… (1908)

When no note is made, and we have to depend entirely on the memory of the narrator writing after the fact of the coincidence is known, there are many errors from which the most scrupulous of witnesses can scarcely hope to hold himself altogether free. Often the percipient's experience may be coloured in retrospection by the emotion roused by the news subsequently received. In any case with the lapse of time the picture preserved in the memory is liable to be unconsciously brought more and more into conformity with the narrator's conception of what ought to have happened.
Source: Wikisource

Portrait of Frank Podmore Frank Podmore The Naturalisation of the Supernatural… (1908)

But when, to take the strongest case, a man sees the vision of a friend at the time of his death, we have no such safeguards to ensure the accuracy of the record. The vision finds him unprepared and often unable to appreciate its significance. Even when the impression produced is such as to induce the percipient to make a note of the circumstance or to write a letter about it before the correspondence with the death is known, it is but rarely, as the following narratives will show, that the contemporary record is preserved.
Source: Wikisource

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