Summary

J. Stirling Coyne What will they say at Brompton…

Todd. (L. shaking his hand) How d’ye do, Croker? How are you? Never saw you look so jolly in your life. (aside) Dismal as a cherub on a tombstone! It was very kind of you to call; we start on our tour in the morning, so you’re just in time to see the last of us.
Crok. ( C.) The last of you! Ah, Samuel, I hope there may be nothing prophetic in your words, but I have a melancholy foreboding—
Mrs. T. (R.) For goodness sake, uncle, don’t talk of melancholy forebodings—when we are looking forward to the Continent.
Todd. Aye, what do you think of six months amidst the classic scenes of Italy.
Source: Gutenberg

J. Stirling Coyne What will they say at Brompton…

Todd. Marietta.
Mrs. T. Marietta! Ha!—the girl! She was married this evening—to whom?—speak—to whom?
Todd. Forgive me, my beloved Laura.—How shall I tell you—how shall I shock your strict sense of propriety when you hear that your unfortunate Samuel—the husband of your bosom—and the father—I mean the prospective father of your children—is—is—look at me—much injured woman—and behold a perfect specimen of—of—a—
Mrs. T. Monster!
Todd. Monster’s the word! A man with two wives must be a monster; but I’m an innocent monster!
Mrs. T. Wretch! Was not one good one enough for you? Where is the creature?
Source: Gutenberg

J. Stirling Coyne What will they say at Brompton…

In my country, ever since the invention of doors, the practice of entering a house by the window has been confined to thieves, cats, and lovers; (tenderly) need I say, it was in the character of the last-named interesting quadruped, I risked my neck in the most perilous performance I ever attempted on the slack-rope. (Mrs. Todd makes a gesture of astonishment; up stage, L.) Sweet Marietta! How I admire that name! It’s much prettier than Laura. What’s your opinion of Samuel? Do you think, in the ardent simplicity of your exalted nature, you could love a Samuel—or a Sam—or a Sammy, for instance?
Source: Gutenberg

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