Summary

Portrait of James Branch Cabell James Branch Cabell Joseph Hergesheimer, an essay in interpretation (1921)

She comprehends this as she passes out of the story, a faded, desolate and insignificant bit of rubbish, contented to know that the one thing which really meant much to her is, as if by a miracle, preserved inviolate. The statue remains, the immutable child of Linda’s comeliness and Pleydon’s genius, the deathless offspring of transitory things.
Beauty is divine; a power superior and even elfinly inimical to all human moralities and rules of thumb, and a divinity which must unflinchingly be served: that, in this book as always, is Mr. Hergesheimer’s text.
Source: Gutenberg

Portrait of James Branch Cabell James Branch Cabell Joseph Hergesheimer, an essay in interpretation (1921)

Now, at its purest, the art of the real Hergesheimer, the fundamental and essential thing about Joseph Hergesheimer, is just that intangible magic which he ascribes to his fictitious Pleydon. And the dream that Joseph Hergesheimer, too, has perfectly created by his desire, and seeks to communicate in well-nigh every line he has thus far published, I take to be “the old gesture toward the stars ... a faith spiritual, because, here, it is never to be won, never to be realized.”
Source: Gutenberg

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