Summary

James Greenwood Low-Life Deeps — Chapter 10: "Down Ratcliff Way" (1881)

The same brutal, expressionless mouth, dead to everything but the intaking of brandy and gin and the outletting of foulest blasphemy, the same transparent mask of abandonment to the fun in progress, and through which unmistakably and invariably appeared a restless impatience of all frivolity that impeded business, and the cold, calculating sharp look-out for the main chance, and which was no more quenched or even tamed by the measures of strong drink, swallowed at the expense of the victims marked as fair prey, than fire may be quenched with oil.
Source: Wikisource

James Greenwood Low-Life Deeps — Chapter 10: "Down Ratcliff Way" (1881)

The dancing-room, if not lofty, was spacious - sixty feet by thirty at least, with, at the far end of it, a refreshment bar resplendently painted, and gilt with looking-glass panels. At the end nearest the door was the space set apart for the musicians - a contrivance in shape and size closely resembling a corn bin perched up against the wall, and containing the performers, four in number, artistes of the street musician type, and who wore their caps and hats and took advantage of their short spells of rest to smoke short pipes and regale on beer from a quart pot.
Source: Wikisource

James Greenwood Low-Life Deeps — Chapter 10: "Down Ratcliff Way" (1881)

It is generally agreed that the bane of drunkenness is never so hideous as when it is demonstrated in womankind, and no illustration of the disastrous effects of reckless indulgence in intoxicating liquors appeals to an audience with such telling force as that of the once sober and well-conducted female yielding by degrees to the terrible temptation until she at length sinks to the condition of a gin-soddened poor wretch, lost to every glimmer of self-respect, and capable even of starving herself and her children rather than forego her only remaining enjoyment in life.
Source: Wikisource

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