James Hopper

James Hopper

Summary

Portrait of James Hopper James Hopper The Pity of Woman (1906)

And as Morton went out he saw the policeman step to the telephone box at the end of the hall. And he knew that with the puerile, nasal voice of the wire the heralding had begun.
Outside, the sun was already pouring its bitterness upon the gleaming city, and the streets were fermenting with feverish humanity—white-garbed men, hurrying to the factories, bright-camisaed women going to the market with baskets upon their heads, naked-busted cargadores with gleaming muscles. Morton plunged ahead through the throng, which broke before him with sullen acquiescence in the right of the strong.
Source: Wikisource

Portrait of James Hopper James Hopper The Pity of Woman (1906)

I knew her right away, the pale sweet girl, the girl of the roses. She was standing before him; and her eyes, the eyes with the sea-glint in them, were plunging into his soul. He did not shrink; he stood there before her, his eyes in hers, his shoulders thrown back, his arms hanging limp down his sides with palms turned outward in a gesture of utter surrender. Long, gravely she read the soul laid bare before her. Suddenly she started back, one, two steps—heavy, falling steps; as at the same higher command he also backed, one, two steps—heavy, falling steps.
Source: Wikisource

Portrait of James Hopper James Hopper The Pity of Woman (1906)

The great stricken city, hypnotized with its fear, was indifferent to everything else. The whole thing could be hidden, buried, annihilated. Then he saw himself again as he had been earlier in the night, standing in the moonlight of the balcony, peering into the room, into the depths of his degradation. “No, no, enough, enough!” he snarled. And seizing the little body with its possible spark of life, he rushed out into the street.
Source: Wikisource

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