“ For, stretching out his hard little claw to receive the gift, the boy had shot at him a glance so mild, so wistful, so brown-eyed, filled with such mixed admiration, trust, and appeal, that a a queer softness had risen in the Maestro from somewhere down in the regions of his heel, up and up, quietly, like the mercury in the thermometer, till it had flowed through his whole body and stood still, its high-water mark a little lump in his throat."Why, Lord bless us-ones, Isidro," said the Maestro, quietly. "We're only a child, after all, a mere baby, my man. And don't we like to go to school?" ”
James Hopper
Biographical details
James Hopper (1876–1956) was an American writer, novelist, and early football coach, renowned for his prolific output of 450 short stories and six novels. His work often explored themes of human resilience, social critique, and the complexities of personal identity, as seen in 9009 (prison reform) and Caybigan (cultural encounters).
A fixture in Carmel’s literary circles, Hopper’s narratives—ranging from The Trimming of Goosie to Our San Francisco—reflect his dual life as a sports figure and storyteller, blending regional color with universal truths. His legacy endures through texts that intertwine local history with broader humanist concerns.
Quotes by James Hopper
James Hopper,
A Boy and a Girl
(1906)
“ It was the fog of the tropical seas—rare and precious. It clung with insistence, soft and warm as the protecting breast of a bird to its nestling. The rays of the invisible moon pulsed in it in liquid opalescence. It was as if the world had been enshrined within a gigantic pearl, or rather as if the pearls of this sea of pearls had vaporized, and now hung, a luminous haze, about the boat. Along the flanks of the launch a bare three feet of streaming water was visible. Beyond, in front, to the left, to the right, the fog shut off everything with its luminous but impenetrable curtain. ”
James Hopper,
The Trimming of Goosie
“ Two gleaming, lustrous, white things that were——"They're wings," said Dolly, still on the floor. "They are wings," she repeated, in the tone of one saying, He is dead. "Now, Goosie, you have done it!"But a change had come in Charles-Norton. The blush had left his brow, the foolish expression his face; he was pivoting before the mirror like a woman with a new bonnet."I like them," he said.And then, "Just look at them, Dolly. Just look at the curve of them. Isn't it a beautiful curve! And the whiteness of them, Dolly—like a baby's soul. And how downy—soft like you, Dolly. Look at them gleam. ”
