Summary

Portrait of James Hopper James Hopper The Trimming of Goosie

Two gleaming, lustrous, white things that were——
"They're wings," said Dolly, still on the floor. "They are wings," she repeated, in the tone of one saying, He is dead. "Now, Goosie, you have done it!"
But a change had come in Charles-Norton. The blush had left his brow, the foolish expression his face; he was pivoting before the mirror like a woman with a new bonnet.
"I like them," he said.
And then, "Just look at them, Dolly. Just look at the curve of them. Isn't it a beautiful curve! And the whiteness of them, Dolly—like a baby's soul. And how downy—soft like you, Dolly. Look at them gleam.
Source: Gutenberg

Portrait of James Hopper James Hopper The Trimming of Goosie

It seems to heave slowly, like the flood after the rain had ceased."
"Do people live there?" asked Dolly.
"And the sky; did you ever see such sky! And the meadow here, how fresh and lush; and the pines, and the cabin, and the lake—isn't it all quiet and peaceful?"
She was silent, and after a while he turned to her. A tear was trembling at the end of one of her long lashes. "Goosie," she whispered, and she snuggled up against him; "Goosie, isn't it a bit—lonely here?"
"We won't find it lonely," he answered stoutly, and drew her close within his arms.
Source: Gutenberg

Portrait of James Hopper James Hopper The Trimming of Goosie

Dolly ran into the bath-room and returned with the flesh-brush; Charles-Norton made an exchange without losing a stroke. "That's something like it," he murmured.
"But, Goosie," began Dolly. Her voice was low now; she stood withdrawn from him as if a bit afraid; her hands were clasped and her lips trembled. "Goosie, dear; don't do that. Oh, don't; you'll hurt yourself. It's getting all red, Goosie. You're rubbing the skin off, I tell you. Why, it's almost bleeding—Goosie, Goosie, stop it, stop it!"
Source: Gutenberg

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