James Oliver Curwood

James Oliver Curwood

Summary

Portrait of James Oliver Curwood James Oliver Curwood The Golden Snare

What there was to be of day followed swiftly, like the Arctic night. The shadows faded away, the shores loomed up and the illimitable sweep of the plain lifted itself into vision as if from out of a great sea of receding fog. In the quarter hour's phenomenon between the last of darkness and wide day Philip stood straining his eyes southward over the white path of the Coppermine. It was Celie, huddled close at his side, who turned her eyes first from the trail their enemies would follow. She faced the north, and the cry that came from her lips brought Philip about like a shot.
Source: Gutenberg

Portrait of James Oliver Curwood James Oliver Curwood The Golden Snare

The second day, with dogs refreshed, they traveled faster, and it was this night that they camped in the edge of timber and built a huge fire. It was such a fire as illumined the space about them for fifty paces or more, and it was into this light that Bram Johnson stalked, so suddenly and so noiselessly that a sharp little cry sprang from Celie's lips, and Olaf and Philip and the Duke of Rugni stared in wide-eyed amazement. In his right hand the wolf-man bore a strange object.
Source: Gutenberg

Portrait of James Oliver Curwood James Oliver Curwood The Golden Snare

The night was so bright that the spruce trees cast vivid shadows on the snow. Overhead there were a billion stars in a sky as dear as an open sea, and the Great Dipper shone like a constellation of tiny suns. The world did not need a moon. At a distance of three hundred yards Philip could have seen a caribou if it had passed. He sat close to his fire, with the heat of it reflected from the blackened face of a huge rock, finishing the snare which had taken him an hour to weave.
Source: Gutenberg

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