Summary

Portrait of Jean Webster Jean Webster Much Ado About Peter — I. Gervie Zame… (1909)

The new maid had no objections, or at least she did not voice any, and they rolled along between the fragrant hedgerows in silence. Peter was laboriously framing to himself an opening remark, and he found nothing ludicrous in the situation; but to the girl, whose Irish sense of humour was inordinately developed, it appeared very funny to be riding alone beside a live, breathing groom, in top-hat and shining boots, who turned red when you looked at him.
Source: Wikisource

Portrait of Jean Webster Jean Webster Much Ado About Peter — I. Gervie Zame… (1909)

He was, then, nothing but a man in spite of his clothes, and with a man she knew how to deal.
A full moon was rising above the trees and the twilight was fading into dusk. As Billy had justly observed at the supper table, it was a fine night in which to get acquainted. The four miles between the station and Willowbrook suddenly dwindled into insignificance in Peter's sight, and at the top of the hill he turned Trixy's head in exactly the wrong direction.
Source: Wikisource

Portrait of Jean Webster Jean Webster Much Ado About Peter — I. Gervie Zame… (1909)

Billy, who served but a few meagre months at Willowbrook, did not realize that the highest honours are obtained only after a painful novitiate. He saw no reason why he should not be coachman another year just as much as Peter; in fact, he saw several reasons why he should be. He drove as well, he was better looking—he told himself—and he was infinitely larger. To Billy's simple understanding it was quantity, not quality, that makes the man. He resented Peter's assumption of superiority, and he intended, when opportunity should present itself, to take it out of Peter.
Source: Wikisource

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