Joel Chandler Harris

Joel Chandler Harris

Summary

Portrait of Joel Chandler Harris Joel Chandler Harris Aaron in the Wildwoods

Standing on the hill above the river, Aaron saw that the red signal lights in the east had been put out, and it was now broad day. In the top of a pine a quarter of a mile away a faint shimmer of sunlight glowed a moment and then disappeared. Again it appeared and this time to stay. He stood listening, and it seemed to him that he could hear in the far-off distance the faint musical cry of hounds. Perhaps he was mistaken; perhaps it was a fox-hunting pack, or, perhaps—
He turned and moved rapidly to the Swamp, which he found wide awake and ready to receive him.
Source: Gutenberg

Portrait of Joel Chandler Harris Joel Chandler Harris Aaron in the Wildwoods

The scheme which Aaron had conceived, and which he proposed to carry out without delay, was bold, and yet very simple,—simple, that is to say, from his point of view. It came into his mind while he was in Little Crotchet's room, and fashioned itself as he went whistling to the horse lot in full view of George Gossett.
He swung himself over the fence, and made directly for Timoleon's stable. The Black Stallion heard some one fumbling about the door, and breathed hard through his nostrils, making a low, fluttering sound, as high-spirited horses do when they are suspicious or angry.
Source: Gutenberg

Portrait of Joel Chandler Harris Joel Chandler Harris Aaron in the Wildwoods

Although the Swamp was not a day older when Aaron, the Son of Ben Ali, became a key-bearer, the frolic over the headless bird was far back of Aaron's time. Older! The Swamp was even younger, for it was not a Swamp until old age had overtaken it—until centuries had made it fresh and green and strong. The Indians had camped round about, had tried to run its mysteries down, and had failed. Then came a band of wandering Spaniards, with ragged clothes, and tarnished helmets, and rusty shields, and neighing horses—the first the Swamp had ever seen.
Source: Gutenberg

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