Summary

John Brown,  Rab and His Friends

“ As I have said, I never saw a more beautiful countenance, or one more subdued to settled quiet. "Ailie," said James, "this is Maister John, the young doctor; Rab's freend, ye ken. We often speak aboot you, doctor." She smiled, and made a movement, but said nothing, and prepared to come down, putting her plaid aside and rising. Had Solomon, in all his glory, been handing down the Queen of Sheba at his palace gate, he could not have done it more daintily, more tenderly, more like a gentleman, than did James the Howgate carrier, when he lifted down Ailie his wife. ”
Source: Gutenberg

John Brown,  Rab and His Friends

“ It is the hereafter that gives to
"the touch of a vanished hand, And the sound of a voice that is still,"
its own infinite meaning. Our hearts and our understandings follow Ailie and her "ain man" into that world where there is no pain, where no one says, "I am sick." What is all the philosophy of Cicero, the wailing of Catullus, and the gloomy playfulness of Horace's variations on "Let us eat and drink," with its terrific "for," to the simple faith of the carrier and his wife in "I am the resurrection and the Life"?
”
Source: Gutenberg

John Brown,  Rab and His Friends

“ Does any curious and finely-ignorant woman wish to know how Bob's eye at a glance announced a dog-fight to his brain? He did not, he could not, see the dogs fighting: it was a flash of an inference, a rapid induction. The crowd round a couple of dogs fighting is a crowd masculine mainly, with an occasional active, compassionate woman fluttering wildly round the outside and using her tongue and her hands freely upon the men, as so many "brutes;" it is a crowd annular, compact, and mobile; a crowd centripetal, having its eyes and its heads all bent downwards and inwards, to one common focus. ”
Source: Gutenberg

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