Summary

Portrait of John Buchan John Buchan Huntingtower — Chapter XVI: In Which a Princess Leaves a Dark Tower and a Provision Merchant… (1922)

The eyes of both are fixed on the two figures on the cliff-top. Dickson feels acutely uneasy. It is the first time that he has been alone with Heritage since the arrival of Alexis shivered the Poet's dream. He looks to see a tragic grief; to his amazement he beholds something very like exultation.
"The trouble with you, Dogson," says Heritage, "is that you're a bit of an anarchist. All you false romantics are. You don't see the extraordinary beauty of the conventions which time has consecrated. You always want novelty, you know, and the novel is usually the ugly and rarely the true.
Source: Wikisource

Portrait of John Buchan John Buchan Huntingtower — Chapter XVI: In Which a Princess Leaves a Dark Tower and a Provision Merchant… (1922)

First we see Saskia and Alexis walking on the thymy sward of the cliff-top, looking out to the fretted blue of the sea. It is a fitting place for lovers—above all for lovers who have turned the page on a dark preface, and have before them still the long bright volume of life. The girl has her arm linked in the man's, but as they walk she breaks often away from him, to dart into copses, to gather flowers, or to peer over the brink where the gulls wheel and oyster-catchers pipe among the shingle.
Source: Wikisource

Portrait of John Buchan John Buchan Huntingtower — Chapter XVI: In Which a Princess Leaves a Dark Tower and a Provision Merchant… (1922)

Dickson is scarcely listening. His eyes are on the distant lovers, and he longs to say something which will gently and graciously express his sympathy with his friend.
"I'm afraid," he begins hesitatingly, "I'm afraid you've had a bad blow, Mr. Heritage. You're taking it awful well, and I honour you for it."
Source: Wikisource

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