Summary

Portrait of John Claude White John Claude White Sikhim and Bhutan — Chapter XXIII … (1909)

Possibly the excellence of the work produced in Bhutan owes much to the feudal system which still prevails there. Each Penlop and Jongpen has his own workmen amongst his retainers, men who are not paid by the piece, and are not obliged either to work up to time or to work if the spirit is not in them, and consequently they put their souls into what they do, with the result that some pieces of splendid individuality and excellent finish are still made. No two pieces are ever quite alike, and each workman leaves his impress on his work.
Source: Wikisource

Portrait of John Claude White John Claude White Sikhim and Bhutan — Chapter XXIII … (1909)

In Sikhim the arts are now almost entirely carried on by Nepalese craftsmen, who excel in gold, silver, and brass work. Articles made in these metals are generally beaten into shape, backed with a lac got from the roots of the sal-tree, and the pattern hammered out with blunt tools. As the workman draws his own pattern as he works, his success depends on his ability, and he is able to express individuality in both design and execution; and I have seen, and have in my possession, some very good specimens in gold, silver, brass, and copper work.
Source: Wikisource

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