John Galsworthy

John Galsworthy

The Mummy (1924)

Summary

Portrait of John Galsworthy John Galsworthy The Mummy (1924)

Eugene had his own rooms and key, his spirits and tobacco, his fox terrier and spaniel, a day’s hunting when he wished; he shot well, and was welcome with his gun, to the landed neighbors: or on the local yachts where he looked to the life in a yachting cap. He had no patrimony, but his aunt had enough for two. A singularly placid woman, she concerned herself entirely with seeing that time made no changes in the life of him on whom she doted. No girls, however much he impressed them, lean in his very good clothes, detached him from her roof.
Source: Wikisource

Portrait of John Galsworthy John Galsworthy The Mummy (1924)

Leaner and browner than ever, he lay in a long chair with a cigarette in his yellow fingers, staring at some conversationalist of the female sex with his steel-colored eyes, and occasionally emitting a little high laugh. He felt “full of steam,” and enjoyed the voyage “like smoke.”
“Well, Aunt Susan,” he said, on reaching Baymouth. His aunt shed tears of rapture. He renewed his life as if it had never been broken. The young woman and her husband were no longer there. And ten more years passed like a game that is played.
Source: Wikisource

Portrait of John Galsworthy John Galsworthy The Mummy (1924)

He passed hours among the “little beggars,” a cigarette between his lips, his yellow fingers crumpling their ears or feeling their points, while their little avid tongues licked all of him within reach. They were a great pleasure to him, not the less so for their promise of ten pounds apiece, and twenty pounds if over distemper. He debated whether to have them inoculated and sell them with a guarantee. Nature took the matter out of his hands before he had made the effort of decision.
Source: Wikisource

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