John Miller Gray

John Miller Gray

Summary

Portrait of John Miller Gray John Miller Gray Dictionary of National Biography… (1890)

As an etcher Geddes ranks even higher than as a painter; his plates may be regarded as among the very earliest examples in modern English art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching.’ His dry-points and etchings include portraits, landscapes, and a few copies from the old masters.
Source: Wikisource

Portrait of John Miller Gray John Miller Gray Dictionary of National Biography… (1890)

His father was a connoisseur and collector of prints; the son was so strongly drawn to art that he spent his leisure in sketching and copying engravings, and, when he was free to choose his own way of life, he resolved—fortified by the advice of John Clerk, afterwards Lord Eldin—to proceed to London and study as a painter. In 1806 he began to attend the schools of the Royal Academy, and in the same year exhibited there his first picture, a ‘St. John in the Wilderness.’ In 1810 he opened a studio in York Place, Edinburgh, and was soon in good practice as a portrait-painter.
Source: Wikisource

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