Summary

Portrait of John Milne John Milne Colonial facts and fictions: Humorous sketches (1886)

How a stranger who visits Sydney is to avoid seeing the harbour is a great puzzle. Whichever way you walk you must come to the harbour—its ramifications extend in all directions. Although it has only one entrance, and is seldom more than a mile in breadth, often being much less, it is said to measure round its shore line more than seventeen hundred miles. Sydney people and Australians, when abroad, are for ever doing all they can to create a prejudice against this beautiful corner of creation.
Source: Gutenberg

Portrait of John Milne John Milne Colonial facts and fictions: Humorous sketches (1886)

Dogs sleep upon the pavement. All is sunshine, cleanliness, and quiet. The houses in the suburbs face the street like so many antiquated walls with rectangular orifices for doors and windows. The brass door-handles shine like mirrors. The polishing has gone on so long until the paint around them in the wood-work has been worn away. Even a little brook that at one time babbled through the town has been constrained. A brook bustling along over an untidy gravel bed would be out of place in tidy little Hobart.
Source: Gutenberg

Portrait of John Milne John Milne Colonial facts and fictions: Humorous sketches (1886)

Beyond this arcadian scene came islands, islets, more volcanoes, and then the ocean.
With Italian scenery and warm sunshine I felt as comfortable as a tom-cat sunning itself on a red-tile roof.
On the most distant island, away out in the blue ocean, Sir George Grey lives. Sir George is a great man in New Zealand, a lover of the Maori, and generally original in his conceptions. Anyone would be original if they lived the Robinson-Crusoe-like life that Sir George endures. They say that he does not get many callers.
Everything in Auckland was very nice, excepting my hotel.
Source: Gutenberg

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