John Wesley Hales

John Wesley Hales

Once a Week (1860)

Summary

Portrait of John Wesley Hales John Wesley Hales Once a Week (1860)

Our path conducts us outside of the city, to hamlets and to hospitals all alone by the roadside, or on the bank of the river. This is the quiet life, par excellence. As quiet as the monastery before the hour of Prime. This is the life of the shunned—of men whom society casts from her, lest she be tainted by contact with them—of men that are excluded from the enjoyments, and the ambitions, and the excitements that make up the sum of life, as we value it. This is death in life—civil death and legal death, with mere animal life surviving.
Source: Wikisource

Portrait of John Wesley Hales John Wesley Hales Once a Week (1860)

Imagine the leper, in his little hut, when his position presented itself to his mind in full force. The melancholy procession has returned to the city, and those who formed it are re-united to life and to humanity. They are dispersed, each one to his own sphere of action, and the tide of energy and business is pulsing in their veins after its wont.
Source: Wikisource

Portrait of John Wesley Hales John Wesley Hales Once a Week (1860)

To take the leper to one’s own house, to wash his poor afflicted body, to wait upon his every want, and to lie by his side upon the same couch, were, we need scarcely say, acts beyond the self-denial and humility of ordinary men. They were reserved for those whose lives embodied the religious ideal of their time—men who regarded the body as given to man but to be tortured, and who deemed a moment’s carnal ease a sinful and damnable thing, only to be atoned for by years of penance and self-laceration.
Source: Wikisource

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