Summary

Joseph Cundall A Brief History of Wood-engraving… (1895)

Another celebrated printer who enjoyed the patronage of the King was Robert Estienne, who, by some curious perversity, is frequently spoken of by English scholars and biographers as Robert Stephens, simply because, following the fashion of the day, he often latinised his name and signed Robertus Stephanus. Estienne was, next to Aldo Manuzio of Venice, the most learned of printers, and deserves to be held in due reverence. The most important illustrated book he published was 'The Lives of the Dukes of Milan,' by Paulus Jovius (Paris, 1549) .
Source: Wikisource

Joseph Cundall A Brief History of Wood-engraving… (1895)

In the early years of the sixteenth century, the printers of Florence issued many cheap popular books, chiefly Rappresentazioni, i.e. Plays, sacred or secular. These plays are generally badly printed in double columns, but they are illustrated with numerous cuts, some of which are of peculiar merit. The earliest known printer of them was Francesco Benvenuto (c. 1516-1545) , but the majority appear to have been issued between 1550 and 1580, anonymously, though we know that Giovanni Baleni of Florence was the printer of some of these.
Source: Wikisource

Joseph Cundall A Brief History of Wood-engraving… (1895)

The list commences with a Louvain engraver, who worked for Veldener in 1475, and about the same time for John and Conrad de Westphalia.
Most of the greater Dutch towns had wood-engravers, and the work of these artists appears in many of the books printed in the Low Countries. As in France, many of the printers' marks are very good.
It was in this century that publishers began to illustrate their books with copperplate engravings, which soon came into general use, and these plates for many years, to a very great extent, superseded engraving on wood.
Source: Wikisource

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