Joseph Sheridan Le Fanu

Joseph Sheridan Le Fanu

Summary

Portrait of Joseph Sheridan Le Fanu Joseph Sheridan Le Fanu Carmilla

Nothing can be more picturesque or solitary. It stands on a slight eminence in a forest. The road, very old and narrow, passes in front of its drawbridge, never raised in my time, and its moat, stocked with perch, and sailed over by many swans, and floating on its surface white fleets of water lilies.
Over all this the schloss shows its many-windowed front; its towers, and its Gothic chapel.
The forest opens in an irregular and very picturesque glade before its gate, and at the right a steep Gothic bridge carries the road over a stream that winds in deep shadow through the wood.
Source: Gutenberg

Portrait of Joseph Sheridan Le Fanu Joseph Sheridan Le Fanu Carmilla

The beds were, I thought, all empty, and the room itself without anyone but myself in it; and I, after looking about me for some time, and admiring especially an iron candlestick with two branches, which I should certainly know again, crept under one of the beds to reach the window; but as I got from under the bed, I heard someone crying; and looking up, while I was still upon my knees, I saw you—most assuredly you—as I see you now; a beautiful young lady, with golden hair and large blue eyes, and lips—your lips—you as you are here.
Source: Gutenberg

Portrait of Joseph Sheridan Le Fanu Joseph Sheridan Le Fanu Carmilla

The excitement of the scene was made more painful by the clear, long-drawn screams of a female voice from the carriage window.
We all advanced in curiosity and horror; me rather in silence, the rest with various ejaculations of terror.
Our suspense did not last long. Just before you reach the castle drawbridge, on the route they were coming, there stands by the roadside a magnificent lime tree, on the other stands an ancient stone cross, at sight of which the horses, now going at a pace that was perfectly frightful, swerved so as to bring the wheel over the projecting roots of the tree.
Source: Gutenberg

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