Josephine Daskam Bacon

Josephine Daskam Bacon

Summary

Portrait of Josephine Daskam Bacon Josephine Daskam Bacon A Philanthropist

Really, dear Miss Gould, if you knew how horribly ill sarsaparilla is certain to make me—I have loathed it from childhood—”
“Oh, no, no, no!” she interrupted, with her sweet, tolerant smile. She smiled at him as if he had been a child.
“You know I never meant that you should work all day, Mr. Welles. It isn't at all necessary. I have always felt that an hour or two a day of intelligent, cultivated work was fully equal to a much longer space of manual labor that is more mechanical, more tiresome.”
“Better fifty years of poker than a cycle of croquet!” her lodger murmured.
Source: Gutenberg

Portrait of Josephine Daskam Bacon Josephine Daskam Bacon A Philanthropist

With the sweetest smile in the world, he had leaned forward, sipped his tea, gazed thoughtfully in the fire, and answered, with a polite apology for the homeliness of the illustration, that it reminded him most strongly of a tack fixed in the seat of a chair, with the attendant circumstances! After a convulsive effort to include in one terrible sentence all the scorn and regret and pity that she felt, Miss Gould had decided that silence was best, and sat back wondering why she suffered him one instant in her parlor.
Source: Gutenberg

Portrait of Josephine Daskam Bacon Josephine Daskam Bacon A Philanthropist

Sunk in cushions, a tea-cup on the arm of his chair, a guitar resting on his white flannel sleeve, reclined the director of the Rooms. Over his head hung a large and exquisite copy of the Botticelli Venus. Miss Gould's horrified gaze fled from this work of art to rest on a representation in bronze of the same reprehensible goddess, clothed, to be sure, a little more in accordance with the views of a retired New England community, yet leaving much to be desired in this direction.
Source: Gutenberg

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